STRAUSS Lieder
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss
Genre:
Vocal
Label: BR Klassik
Magazine Review Date: 08/2014
Media Format: CD or Download
Media Runtime: 72
Mastering:
DDD
Catalogue Number: 0300566BC
Tracks:
Composition | Artist Credit |
---|---|
(4) Lieder, Movement: No. 1, Das Rosenband (wds. Klopstock: 1897, orch 1897) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(6) Lieder, Movement: No. 2, Ständchen |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(4) Lieder, Movement: No. 3, Hat gesagt - bleibt's nicht dabei (Des Knaben Wunderhorn: 1898) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 4, Die Georgine |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
Alphorn |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(3) Lieder, Movement: No. 1, Traum durch die Dämmerung |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Freundliche Vision (wds. Bierbaum: orch 1918) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 5, Geduld |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 1, Zueignung (orch 1940) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(4) Lieder, Movement: No. 3, Heimliche Aufforderung (wds. J H Mackay) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
Begegnung |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(6) Lieder, Movement: No. 2, Ich wollt' ein Sträusslein binden (orch 1 |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Madrigal (wds. Michelangelo) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 5, Heimkehr (wds. A F von Schack) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(4) Lieder, Movement: No. 4, Morgen (wds. J H Mackay: orch 1897) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 3, Die Nacht |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 4, Befreit (wds. Dehmel: orch 1933) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Leises Lied (wds. Dehmel) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(6) Lieder, Movement: Lieder der Ophelia (wds Shakespeare trans K Simroc |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
Malven |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 8, Allerseelen |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 3, Am Ufer (wds. Dehmel) |
Richard Strauss, Composer
Christiane Karg, Soprano Malcolm Martineau, Piano Richard Strauss, Composer |
Author: Richard Fairman
The disc intersperses some of the best known Strauss songs with a generous handful of rarer items. There is a danger that a solo recital will become tiring when a soprano voice is consistently on the bright side but Karg softens the tone where she can – a silvery shimmer of moonlight is cast over ‘Die Nacht’, though ‘Traum durch die Dämmerung’ lacks the sunset glow it needs. In general, Karg and Malcolm Martineau are reluctant to linger, keeping ‘Morgen’ under four minutes and ‘Befreit’ just under five, so everything stays light and fluent, playing to the singer’s strengths. It is good to have the rarely heard ‘Alphorn’, with its solo horn obbligato (Felix Klieser), and towards the end Karg paints a vivid portait in the three half-crazed Ophelia Lieder. A rewarding disc, though there are some great Strauss sopranos of the past – Janowitz, Price, Norman – also beckoning from the wings.
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