Songs of War
Keenlyside reflects on war and its musical refractions
View record and artist detailsRecord and Artist Details
Composer or Director: George (Sainton Kaye) Butterworth, Kurt (Julian) Weill, Frank Bridge, John (Nicholson) Ireland, Arthur Somervell, Ned Rorem, Ivor (Bertie) Gurney, Gerald (Raphael) Finzi, Ralph Vaughan Williams, Peter Warlock
Genre:
Vocal
Label: Sony
Magazine Review Date: 02/2012
Media Format: CD or Download
Media Runtime: 73
Mastering:
Stereo
DDD
Catalogue Number: 88697 94424-2
Tracks:
Composition | Artist Credit |
---|---|
Sea Fever |
John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(A) Shropshire Lad, Movement: Into my heart an air that kills |
Arthur Somervell, Composer
Arthur Somervell, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
Songs of Travel, Movement: Youth and Love |
Ralph Vaughan Williams, Composer
Malcolm Martineau, Piano Ralph Vaughan Williams, Composer Simon Keenlyside, Baritone |
Songs of Travel, Movement: The Infinite Shining Heavens |
Ralph Vaughan Williams, Composer
Malcolm Martineau, Piano Ralph Vaughan Williams, Composer Simon Keenlyside, Baritone |
(A) Shropshire Lad |
George (Sainton Kaye) Butterworth, Composer
George (Sainton Kaye) Butterworth, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(A) Shropshire Lad, Movement: There pass the careless people |
Arthur Somervell, Composer
Arthur Somervell, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(The) Night |
Peter Warlock, Composer
Malcolm Martineau, Piano Peter Warlock, Composer Simon Keenlyside, Baritone |
(A) Shropshire Lad, Movement: White in the moon the long road lies |
Arthur Somervell, Composer
Arthur Somervell, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
Bredon Hill and other songs from 'A Shropshire Lad |
George (Sainton Kaye) Butterworth, Composer
George (Sainton Kaye) Butterworth, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(The) Vagabond |
John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(The) Three Ravens |
John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
Let us garlands bring, Movement: Fear no more the heat o' the sun |
Gerald (Raphael) Finzi, Composer
Gerald (Raphael) Finzi, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
Thy hand in mine |
Frank Bridge, Composer
Frank Bridge, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
Songs of Travel, Movement: The Vagabond |
Ralph Vaughan Williams, Composer
Malcolm Martineau, Piano Ralph Vaughan Williams, Composer Simon Keenlyside, Baritone |
(An) Incident |
Ned Rorem, Composer
Malcolm Martineau, Piano Ned Rorem, Composer Simon Keenlyside, Baritone |
When Death to either shall come |
Ivor (Bertie) Gurney, Composer
Ivor (Bertie) Gurney, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
In Flanders |
Ivor (Bertie) Gurney, Composer
Ivor (Bertie) Gurney, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(A) Shropshire Lad, Movement: The street sounds to the soldiers' tread |
Arthur Somervell, Composer
Arthur Somervell, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(4) Walt Whitman Songs, Movement: Beat! Beat! Drums |
Kurt (Julian) Weill, Composer
Kurt (Julian) Weill, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
(4) Walt Whitman Songs, Movement: Dirge for Two Veterans (orch & pf vers: 1942-47) |
Kurt (Julian) Weill, Composer
Kurt (Julian) Weill, Composer Malcolm Martineau, Piano Simon Keenlyside, Baritone |
Author: Richard Lawrence
Perhaps the connection is tenuous but that will hardly impede enjoyment and appreciation of this excellent recital. The composer most generously represented is George Butterworth, who was killed on the Somme in 1916. A Shropshire Lad is here, as is – though, oddly, the title isn’t given – Bredon Hill and Other Songs. One can imagine a more poignant account of the ghostly voice in ‘Is my team ploughing?’ but ‘The lads in their hundreds’ is all the more moving for Keenlyside’s robustness. I was struck by the postlude of ‘Loveliest of trees’: it’s not Hugo Wolf but, as eloquently played by Malcolm Martineau, it does have a kind of Ravelian grace.
There is more Housman in four songs from the 10 of A Shropshire Lad by Arthur Somervell, not placed as a group. The vocal line in the first stanza of ‘Into my heart’ is all on one note: Keenlyside shapes it with feeling, as the piano recalls ‘Loveliest of trees’ (sadly not included here). Peter Warlock’s ‘The Night’ starts with an identical device, again coloured beautifully by the singer. The rest of the programme is equally rewarding and Keenlyside’s diction is perfect.
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