SILVESTROV To Thee We Sing
View record and artist detailsRecord and Artist Details
Composer or Director: Valentin Silvestrov
Genre:
Vocal
Label: Ondine
Magazine Review Date: 10/2015
Media Format: Super Audio CD
Media Runtime: 60
Mastering:
DDD
Catalogue Number: ODE1266-5
Tracks:
Composition | Artist Credit |
---|---|
Alleluia |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
Liturgical Chants, Movement: Cheubic Song |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
Liturgical Chants, Movement: Alleluia |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
Liturgical Chants, Movement: O Holy God |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
Liturgical Chants, Movement: Ave Maria |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
Diptych |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
(2) Spiritual Chants |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
(2) Spiritual Songs |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
2 Christmas Lullabies |
Valentin Silvestrov, Composer
Latvian Radio Choir Sigvards Klava, Conductor Valentin Silvestrov, Composer |
Author: Malcolm Riley
The Latvian Radio Choir under Sigvards Kl,ava sing, as expected, with a scintillating beauty. None of this programme, composed between 1995 and 2006, could be labelled technically easy. Fortunately the singers’ intonation, balance and blend are absolutely first-rate. Nearly all of this ‘metaphorical music’, as Silvestrov terms it, is either slow or very slow. There are stylistic hints of Poulenc, Pärt and Górecki, perhaps; certainly the ghost of Rachmaninov hovers
reverentially overhead. But Silvestrov is definitely his own man with his tuneful, naive and floating music. He favours rich homophonic textures, with basses delving several leger lines below the stave and the sopranos weaving the sweetest of melodic lines, flavoured by a fondness for falling sequences. Accompaniments are often hummed and occasionally whispered.
The disc’s centrepiece is the dark Diptych, the second part of which, ‘Testament’, is a setting of Silvestrov’s fellow Ukrainian Taras Shevchenko (1814 61). Its liquid beauty is breathtaking. On a lighter note, the Alleluia of 2006 is much daintier, almost waltz-like, akin to Elena Kats-Chernin. Where Silvestrov really makes his mark is in his endings, with scrumptious clustered chords suspended in mid-air. More please!
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