Silk Baroque
View record and artist detailsRecord and Artist Details
Composer or Director: Antonio Vivaldi, Jean-Philippe Rameau, Judith Steenbrink, Traditional, Jean-Marie Leclair, Wu Wei, Georg Philipp Telemann, Johann Sebastian Bach
Genre:
Chamber
Label: Pentatone
Magazine Review Date: 09/2019
Media Format: CD or Download
Media Runtime: 68
Mastering:
DDD
Catalogue Number: PTC5186 800
Tracks:
Composition | Artist Credit |
---|---|
What about some bells |
Judith Steenbrink, Composer
Holland Baroque Society Judith Steenbrink, Composer |
Castor et Pollux, Movement: Tristes apprêts, pâles flambeaux |
Jean-Philippe Rameau, Composer
Holland Baroque Society Jean-Philippe Rameau, Composer |
Polonaise Chinois |
Judith Steenbrink, Composer
Holland Baroque Society Judith Steenbrink, Composer |
Pferderennen |
Traditional, Composer
Holland Baroque Society Traditional, Composer |
(12) Trio Sonatas for 2 Violins and Continuo, Movement: No. 12 in D minor, Variations on 'La Follia', RV63 |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer Holland Baroque Society |
Prelude for Prelude |
Judith Steenbrink, Composer
Holland Baroque Society Judith Steenbrink, Composer |
Chaos for Wu Wei |
Judith Steenbrink, Composer
Judith Steenbrink, Composer |
Improvisation - For my Father |
Wu Wei, Composer
Holland Baroque Society Wu Wei, Composer |
Harlequinade |
Judith Steenbrink, Composer
Holland Baroque Society Judith Steenbrink, Composer |
Sey Tausenmahl Wilkommen |
Georg Philipp Telemann, Composer
Georg Philipp Telemann, Composer Holland Baroque Society |
Silk Rondeau |
Judith Steenbrink, Composer
Holland Baroque Society Judith Steenbrink, Composer |
Gavotte |
Jean-Marie Leclair, Composer
Holland Baroque Society Jean-Marie Leclair, Composer |
Dancing song of the Yao Tribe |
Traditional, Composer
Holland Baroque Society Traditional, Composer |
(3) Sonatas and 3 Partitas, Movement: Sonata No. 2 in A minor, BWV1003 |
Johann Sebastian Bach, Composer
Holland Baroque Society Johann Sebastian Bach, Composer |
Abendmusik |
Traditional, Composer
Holland Baroque Society Traditional, Composer |
Author: Mark Seow
The album is made up of extremely clever arrangements by Judith and Tineke Steenbrink, the masterminds behind Holland Baroque, in which works of the Baroque are fused with the sound world of ancient China. The sounds that Wei conjures on his sheng, a Chinese mouth organ, are tough to describe. Sometimes they are ethereal, a prophecy spun on the air. They can also be entirely present: a carnival on your doorstep, rowdy, drunken and wild. And Wei can also make his sheng scream in poignant pain. At the heart of the album is a solo improvisation dedicated to his father that intensely unfolds into Telemann’s Harlequinade in which Holland Baroque, fleet of foot, whirl in a hallucinogenic madness. There are also traditional Chinese songs, such as the Abendmusik that evaporates into the night. A sense of the improvisatory pervades the album, even the arrangement of Bach’s Andante from BWV1003; this is music made brand new. And in ‘Tristes apprêts’ from Castor et Pollux, Wei slides between notes of Rameau’s melody as if he is conjuring it there and then. The geographical meandering and sense of exploration are particularly successful given the length of the tracks. The listener is given time and space to settle into far-reaching sound worlds that sometimes have unexpected destinations. In What about some bells, the opening track, Judith Steenbrink’s arrangement of Telemann takes us from China through folk-like reels to the land of cowboys and bluegrass.
The cultural reciprocity of the disc is astounding – the listener begins to hear the Baroque in Wei’s Chinese performing traditions, as well as to find elements of the Chinese aesthetic in the historically informed playing of Europe. There is an overwhelming – and emotional – sense of a land being shared, of common ground being marked out and danced upon. While I agree with the Steenbrinks that ‘the Baroque can be found in many places’, here, in this wonderful meeting of cultures, the Chinese can too.
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