SIBELIUS Songs
View record and artist detailsRecord and Artist Details
Composer or Director: Jean Sibelius
Genre:
Vocal
Label: Alba
Magazine Review Date: 02/2016
Media Format: CD or Download
Media Runtime: 70
Mastering:
DDD
Catalogue Number: ABCD384

Tracks:
Composition | Artist Credit |
---|---|
(The) Thought (Tanken) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: To evening (1898: wds. A. V. Forsman-Koskimies) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: Who has brought you here? |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: No. 3, Tennis at Trianon (wds. Fröding) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: 'Neath the fir trees |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: The kiss (wds. Rydberg: 1915) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: The heart's morning |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(5) Songs, Movement: No. 1, Den första kyssen (The first kiss) (wds. Runeberg) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(5) Songs, Movement: No. 2, Lasse liten (Little Lasse) (wds. Topelius) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: Summer night |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: Spring is flying |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: The dream |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: To Frigga |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: No. 4, Sigh, sedges, sigh (wds. Fröding) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: The young hunter |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: The echo nymph (wds. Kyösti: 1915) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: No. 6, The diamond on the March snow (wds. Wecksel |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(A) Song (En visa) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: No. 1, Black roses (wds. Josephson) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: Slumber (1894: wds. K. A. Tavaststjerna) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(7) Songs, Movement: Astray (1894: wds. K. A. Tavaststjerna) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(8) Songs, Movement: Slowly as the evening sun (wds. Tavaststjerna) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(5) Songs, Movement: No. 5, Flickan kom från sin älsklings möte (The maiden's tryst) (wds. Runeberg) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: Her message |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: No. 5, March song (wds. Wecksell) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
Small girls |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(5) Songs, Movement: In the night (wds. Rydberg) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: And is there a thought? (wds. Tavaststjerna) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(6) Songs, Movement: The north |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
(5) Songs, Movement: No. 4, Var det en dröm? (Was it a dream?) (wds. Wecksell) |
Jean Sibelius, Composer
Jean Sibelius, Composer Kristian Attila, Piano Pia Freund, Soprano Tommi Hakala, Baritone |
Author: Mike Ashman
The push and pull of this ‘watching all the girls go by’ showtime atmosphere is perfectly judged here by Pia Freund and Kristian Attila – although the joke oddly seems to escape a more heavily paced rival reading from Elisabeth Söderström on Decca’s collection of all the songs. The immediately following, and rather spooky, ‘I natten’ (‘In the Night’) confirms the good touch and dramatic sense of Attila, who makes as much of these often-criticised piano parts (surely their space is meant as a kit for interpreters to work with) as any modern pianist aside from Bengt Forsberg for Anne Sofie von Otter.
Generally speaking, Freund and Tommi Hakala here find an attractively intimate, chamber route into these songs, short-changing on neither enjoyment nor pain but without the more heart-on-sleeve approach of the justifiably famous Kim Borg 1950s DG recital or von Otter’s BIS collection. It’s hard to signal outright winners in a field that’s happily increasing in both number and interpretative range, but this new collection, with well-balanced natural recording and including many better-known items, stands up well alongside the two cited above and that by Katarina Karnéus.
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