Schweitzer, A Alceste
A hit from the ‘court of the Muses’ revived to excellent effect here
View record and artist detailsRecord and Artist Details
Composer or Director: Anton Schweitzer
Genre:
Opera
Label: Berlin Classics
Magazine Review Date: 7/2008
Media Format: CD or Download
Media Runtime: 149
Mastering:
Stereo
Catalogue Number: 0016222BC
Tracks:
Composition | Artist Credit |
---|---|
Alceste |
Anton Schweitzer, Composer
Anton Schweitzer, Composer Concerto Köln Michael Hofstetter, Conductor |
Author: Richard Lawrence
Gluck’s first setting of the story in Italian was known to Schweitzer. Wieland, a prolific writer of essays in support of a German national opera, thought Gluck a good model. Schweitzer was no Gluck but he is well worth hearing. Mozart was rude about him – “as long as he lives he will never learn how to write for the voice!” – but then he saw Schweitzer as a rival. In Alceste, some of the numbers are over-long: Alceste’s first aria takes eight minutes, while the aria for her sister Parthenia in Act 4 lasts for 12, with no fewer than four cadenzas. Elsewhere, on the other hand, Schweitzer paces the drama with skill, moving flexibly between secco and accompagnato recitative, arioso and aria.
Cyndia Sieden sings Parthenia’s high coloratura passages brilliantly, and Simone Schneider variously expresses Alcestis’s agitation, nobility and joy with a moving simplicity. Christoph Genz is a sight too phlegmatic when confronted with Alcestis’s sacrifice but he wakes up for Admetus’s big scena. Josef Wagner makes much of the smaller part of Hercules. With superb playing by Concerto Köln under Michael Hofstetter, this set can be warmly recommended.
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