Schutz (Die) Sieben Worte
Poignant and penitential music, spellbindingly and captivatingly sung
View record and artist detailsRecord and Artist Details
Composer or Director: Heinrich Schütz
Genre:
Vocal
Label: CPO
Magazine Review Date: 8/2010
Media Format: CD or Download
Media Runtime: 64
Mastering:
Stereo
DDD
Catalogue Number: CPO777 410-2
Tracks:
Composition | Artist Credit |
---|---|
Musicalische Exequien |
Heinrich Schütz, Composer
Heinrich Schütz, Composer Manfred Cordes, Conductor Weser-Renaissance (Bremen) |
Psalmen Davids sampt etlichen Moteten und Concerte, Movement: Ach Herr, straf mich nicht (Ps 6), SWV24 |
Heinrich Schütz, Composer
Heinrich Schütz, Composer Manfred Cordes, Conductor Weser-Renaissance (Bremen) |
Psalmen Davids sampt etlichen Moteten und Concerte, Movement: Aus der Tiefe (Ps 130), SWV25 |
Heinrich Schütz, Composer
Heinrich Schütz, Composer Manfred Cordes, Conductor Weser-Renaissance (Bremen) |
Erbarm dich mein, O Herre Gott |
Heinrich Schütz, Composer
Heinrich Schütz, Composer Manfred Cordes, Conductor Weser-Renaissance (Bremen) |
Hör mein Gebet und laß zu dir |
Heinrich Schütz, Composer
Heinrich Schütz, Composer Manfred Cordes, Conductor Weser-Renaissance (Bremen) |
Herr, mein Gebet erhör in Gnad |
Heinrich Schütz, Composer
Heinrich Schütz, Composer Manfred Cordes, Conductor Weser-Renaissance (Bremen) |
Label: Dacapo
Magazine Review Date: 8/2010
Media Format: CD or Download
Media Runtime: 58
Catalogue Number: 8 226093
Author: David Vickers
Manfred Cordes and his musicians of Bremen have several important Schütz recordings discs under their belt and now they pair five penitential psalms with the eloquent Musikalische Exequien. The performance uses single voices on each part: the group of nine singers includes experienced soloists such as Monika Mauch, Knut Schoch and Dominik Wörner. Cordes produces a fine alternative to the smoother “choral” versions by John Eliot Gardiner’s Monteverdi Choir (DG, 11/88 – long overdue a reissue), Harry Christophers and The Sixteen (Coro, 1/99R) and Philippe Herreweghe’s La Chapelle Royale (Harmonia Mundi, 8/88R). The shorter motet Herr, wenn ich nur dich habe and the Venetian-influenced Canticum Simeonis (the Nunc dimittis) are captivatingly sung, and Schütz’s word-painting in psalms Ach Herr, straf mich nicht and Aus der Tiefe is extraordinary.
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