Schubert (The) Unauthorised Piano Duos
A bold move, justified by the performances
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Schubert, Ede Poldoni, Sergey Prokofiev
Genre:
Chamber
Label: Divine Art
Magazine Review Date: 11/2004
Media Format: CD or Download
Media Runtime: 78
Mastering:
Stereo
DDD
Catalogue Number: 25026
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Tracks:
Composition | Artist Credit |
---|---|
Quintet for Piano and Strings, 'Trout' |
Franz Schubert, Composer
Anthony Goldstone, Piano Caroline Clemmow, Piano Franz Schubert, Composer |
Rosamunde, Fürstin von Zypern, Movement: Die Zauberharfe, D644 Overture |
Franz Schubert, Composer
Anthony Goldstone, Piano Caroline Clemmow, Piano Franz Schubert, Composer |
String Quintet, Movement: Adagio |
Franz Schubert, Composer
Anthony Goldstone, Piano Caroline Clemmow, Piano Franz Schubert, Composer |
Waltzes Suite (Schubert) |
Sergey Prokofiev, Composer
Anthony Goldstone, Piano Caroline Clemmow, Piano Sergey Prokofiev, Composer |
Polonaise |
Franz Schubert, Composer
Anthony Goldstone, Piano Caroline Clemmow, Piano Franz Schubert, Composer |
Study |
Ede Poldoni, Composer
Anthony Goldstone, Piano Caroline Clemmow, Piano Ede Poldoni, Composer |
Author: Bryce Morrison
This intriguing disc of ‘unauthorised piano duos’ forms a sequel to Goldstone’s three double-CD albums entitled ‘Schubert: The Piano Masterpieces’ and a seven-CD cycle of all Schubert’s piano duets given with his wife Caroline Clemmow. The starting point for this exotic journey was the discovery of an 1829 duet version of the Trout Quintet made by Joseph Czern>=. Here, and elsewhere, Goldstone and Clemmow play with such unflagging brio and style that they almost conjure away your memory of the original, evergreen score.
It also says much for their artistry and commitment that they can even make Hugo Ulrich’s setting of the Adagio from the C major String Quintet convincing, a near sacrilegeous undertaking as Goldstone modestly tells in his informative booklet-note. Lighter offerings include his own realisation of the B flat Poloanise and Poldini’s elaboration of the E flat Impromptu with its cunning entwining of its parts and mischievous quote from the Wanderer Fantasie for good measure.
Josef Hüttenbrenner’s arrangement of the Rosamunde Overture is another unlikely success and if Prokofiev’s setting of Schubert Waltzes is sometimes dour and heavy-footed that is hardly the fault of the pianists. For Goldstone and Clemmow Schubert is a composer ‘especially dear’ to their hearts, and this shines out of all their performances. An invaluable disc, then, for all musical explorers and for those happy to sample unusual tributes to ‘the most poetic of all composers’ (Liszt).
It also says much for their artistry and commitment that they can even make Hugo Ulrich’s setting of the Adagio from the C major String Quintet convincing, a near sacrilegeous undertaking as Goldstone modestly tells in his informative booklet-note. Lighter offerings include his own realisation of the B flat Poloanise and Poldini’s elaboration of the E flat Impromptu with its cunning entwining of its parts and mischievous quote from the Wanderer Fantasie for good measure.
Josef Hüttenbrenner’s arrangement of the Rosamunde Overture is another unlikely success and if Prokofiev’s setting of Schubert Waltzes is sometimes dour and heavy-footed that is hardly the fault of the pianists. For Goldstone and Clemmow Schubert is a composer ‘especially dear’ to their hearts, and this shines out of all their performances. An invaluable disc, then, for all musical explorers and for those happy to sample unusual tributes to ‘the most poetic of all composers’ (Liszt).
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