SCHUBERT Die schöne Müllerin (Williams & Burnside)
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Schubert
Genre:
Vocal
Label: Chandos
Magazine Review Date: 08/2019
Media Format: CD or Download
Media Runtime: 65
Mastering:
DDD
Catalogue Number: CHAN20113
Tracks:
Composition | Artist Credit |
---|---|
(Die) Schöne Müllerin |
Franz Schubert, Composer
Franz Schubert, Composer Iain Burnside, Piano Roderick Williams, Baritone |
Author: Hugo Shirley
Williams sings intelligently, thoughtfully and beautifully, and both he and Burnside give the impression of having rethought and re-examined every song; they are also unusually faithful to Schubert’s markings. Williams’s bright, liquid baritone has arguably the ideal youthfulness and vulnerability for Die schöne Müllerin. Chandos’s recorded sound is superb, too.
As on the pair’s earlier Schubert disc (Delphian, 10/16), they tend towards slightly leisurely tempos, and the approach seems less to offer a sense of enacted drama than thoughtful introspection and reflection. It’s a performance packed with detail and lovely moments. There’s a beautiful stillness to ‘Der Neugierige’, and the end of ‘Pause’ is daringly slow and quiet. ‘Halt!’ is on the steady side and the millwheel of ‘Am Feierabend’ takes a few bars to get fully spinning.
But as the cycle progresses, I can’t help wishing Williams and Burnside would roll up their sleeves and get more stuck into the drama. There’s too little sense of assertion (however unsuccessful) in ‘Mein!’ and our Miller seems only mildly miffed about his macho rival in ‘Der Jäger’; the subsequent outburst of ‘Eifersucht und Stolz’ remains stubbornly even-tempered. It’s an impression emphasised by the fact that Williams’s way with German feels more impeccably schooled than instinctive and direct.
Ultimately, with passions thus reined in, I find the tragic stillness of the final songs (though beautifully captured here, as one would expect) doesn’t register for me quite as movingly as it should. There’s no doubting the artistry and intelligence on show but a quick comparison with, say, Christian Gerhaher’s most recent recording with Gerold Huber (Sony, 12/17) shows that such qualities needn’t necessarily be at the expense of dramatic directness.
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.