ROSSINI Si, Si, Si, Si. Opera Arias and Duets
View record and artist detailsRecord and Artist Details
Composer or Director: Gioachino Rossini
Genre:
Opera
Label: Erato
Magazine Review Date: 03/2017
Media Format: CD or Download
Media Runtime: 80
Mastering:
DDD
Catalogue Number: 9029 59532-6
Tracks:
Composition | Artist Credit |
---|---|
(L')Italiana in Algeri, '(The) Italian Girl in Algiers', Movement: ~ |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
Tancredi, Movement: ~ |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
(La) pietra del paragone, Movement: Quel dirmi, oh Dio! |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
Semiramide, Movement: In sì barbara sciagura |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
(L')Italiana in Algeri, '(The) Italian Girl in Algiers' |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
Matilde di Shabran (or Bellezza e cuor di ferro), Movement: Sazia ti fossi alfine |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
Matilde di Shabran (or Bellezza e cuor di ferro), Movement: ~ |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
(La) Gazza ladra, '(The) Thieving Magpie', Movement: Deh pensa domani |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: ~ |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
Duetto buffo di due gatti, 'Cat Duet' |
Gioachino Rossini, Composer
Enrique Mazzola, Conductor Gioachino Rossini, Composer Julien Véronèse, Bass Marie-Nicole Lemieux, Contralto Montpellier Languedoc-Roussillon National Choir Montpellier Languedoc-Roussillon National Orchestra Patrizia Ciofi, Soprano |
Author: Richard Fairman
That does not mean, however, that this new Rossini recital is devoid of merit. Anybody who has seen Lemieux in Baroque opera will know how she can shine thanks to the combination of an imposing voice and a lively personality. Her most notable Rossini on disc so far has been Hedwige in Pappano’s recording of Guillaume Tell (EMI/Warner, 10/11), but this recital goes much further, taking her from the light-hearted spirit of Il barbiere di Siviglia and La pietra del paragone to two operas based on tragedies by Voltaire, Tancredi and Semiramide. As Arsace in the latter, Lemieux recalls Marilyn Horne with her commanding chest register, though she cannot match Horne’s formidable clarity in the coloratura. In ‘Di tanti palpiti’ from Tancredi she fields nobility; in Matilde di Shabran she draws on her mezzo’s natural warmth – though here, as in some of the other tracks, an uncomfortably wide vibrato has to be held at bay.
The most attractive numbers are a clutch of duets. Lemieux is paired with the dreamy, soft soprano of Patrizia Ciofi and their voices intertwine very nicely in the Norma-like consecutive thirds of Tancredi’s ‘Lasciami: non t’ascolto’. The celebrated duet for Ninetta and Pippo from La gazza ladra combines pathos and fleetness of foot, spurred on by Enrique Mazzola and the Orchestre National Montpellier Languedoc-Rousillon, attentive colleagues throughout. At the end, Rossini’s ‘Cat Duet’ forms a brief encore track. Unsurprisingly, these are two cats who miaow in perfect harmony.
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