Rodrigo Piano Works

View record and artist details

Record and Artist Details

Composer or Director: Joaquín Rodrigo

Label: Solstice

Magazine Review Date: 7/1998

Media Format: CD or Download

Media Runtime: 64

Mastering:

DDD

Catalogue Number: SOCD154

Tracks:

Composition	Artist Credit
(4) Piezas	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
(5) Sonatas de Castilla con toccata a modo de pre, Movement: Sonata	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
(5) Sonatas de Castilla con toccata a modo de pre, Movement: Sonata como un tiento	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
(3) Danzas de España	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Air de Ballet sur le nom d'une Jeune Fille	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Sarabande lointaine	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Pastorale	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Sonada de adiós, 'Hommage à Paul Dukas'	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
A l'ombre de Torre Bermeja	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Preludio al gallo mañanero	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Berceuse de Otoño	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Berceuse de primavera	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
(3) Evocaciones	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano
Preludio de Añoranza	Joaquín Rodrigo, Composer Joaquín Rodrigo, Composer Maria Luisa Cantos, Piano

Author: mquinn

Variety and vitality go hand in hand in Rodrigo’s evocative music for solo piano. Refusing Albenizian grandiosity, it owes much to the colour palette of Debussy and Ravel and the compositional elan of Scarlatti. Although Cantos is emotionally alert to the melancholia underpinning the finest works here (Preludio De Anoranza; Sonada de Adios) and technically adept in the zestier hymnals to Spain, she isn’t as varied as Pizarro (Collins, 6/95) nor as all-encompassing as Allen (Bridge, 7/92).'