Even with 15 other versions of Rimsky's masterpiece of orchestral virtuosity to choose from—some in the top flight—this was recognized from the first as one of the most rewarding, thanks largely to Krebbers's exceptionally sweet, gently appealing and bewitching personification of the story-spinning Scheherazade and to Kondrashin's skill in pacing and shaping movements as a whole, relating the diverse tempos and building up tension and dynamics by careful control so as to create climaxes of thrilling intensity and power. the 'shipwreck' finale, in particular, was overwhelming; and this was achieved without resorting to the ultra-fast tempos adopted by some conductors to whip up excitement. The Concertgebouw's crisp, sonorous and sensitive playing (full marks both to the splendid strings and to the wind soloists) was caught with the utmost fidelity; but the Compact Disc's total exclusion even of minimal extraneous background now marks a still further improvement, as can be judged by the dead silence against which Scheherazade's pleadings are heard. The final coda is ravishingly beautiful. A distinguished performance, and a recording that could well make this a demonstration disc for the new system.'