Rhythmic Energy, Volume 1

Record and Artist Details

Composer or Director: Sergey Prokofiev, Pyotr Ilyich Tchaikovsky, Keith John, Valeri Grigoryevich Kikta

Label: Priory

Media Format: CD or Download

Media Runtime: 75

Mastering:

DDD

Catalogue Number: PRCD532

Tracks:

Composition Artist Credit
(The) Nutcracker Pyotr Ilyich Tchaikovsky, Composer
Keith John, Organ
Pyotr Ilyich Tchaikovsky, Composer
(5) Scenes from Orpheus Valeri Grigoryevich Kikta, Composer
Keith John, Organ
Valeri Grigoryevich Kikta, Composer
Romeo and Juliet, Movement: Tybalt meets Mercutio Sergey Prokofiev, Composer
Keith John, Organ
Sergey Prokofiev, Composer
Romeo and Juliet, Movement: Tybalt and Mercutio fight Sergey Prokofiev, Composer
Keith John, Organ
Sergey Prokofiev, Composer
Romeo and Juliet, Movement: Mercutio dies Sergey Prokofiev, Composer
Keith John, Organ
Sergey Prokofiev, Composer
Romeo and Juliet, Movement: Romeo decides to avenge Mercutio's death Sergey Prokofiev, Composer
Keith John, Organ
Sergey Prokofiev, Composer
Romeo and Juliet, Movement: Finale Sergey Prokofiev, Composer
Keith John, Organ
Sergey Prokofiev, Composer
Time and Motion Suite Keith John, Composer
Keith John, Composer
Keith John, Organ

Composer or Director: Pyotr Ilyich Tchaikovsky, Jehan (Ariste) Alain, Paul (Abraham) Dukas, Joseph Haydn, César Franck, Johann Sebastian Bach, Pierre Charles Cochereau

Label: Priory

Media Format: CD or Download

Media Runtime: 76

Mastering:

DDD

Catalogue Number: PRCD568

Tracks:

Composition Artist Credit
Preludes and Fugues, Movement: Prelude and Fugue in E flat, BWV552 (from Clavier-I) Johann Sebastian Bach, Composer
David Briggs, Organ
Johann Sebastian Bach, Composer
Preludes and Fugues, Movement: Prelude and Fugue in G, BWV541 Johann Sebastian Bach, Composer
David Briggs, Organ
Johann Sebastian Bach, Composer
(32) Flute-clock Pieces Joseph Haydn, Composer
Joseph Haydn, Composer
(3) Pièces, Movement: Pièce héroïque in B minor César Franck, Composer
César Franck, Composer
David Briggs, Organ
Boléro sur un thème de Charles Racquet Pierre Charles Cochereau, Composer
David Briggs, Organ
Pierre Charles Cochereau, Composer
(L')Apprenti sorcier, '(The) Sorcerer's Apprentice Paul (Abraham) Dukas, Composer
David Briggs, Organ
Paul (Abraham) Dukas, Composer
(The) Nutcracker, Movement: Miniature Overture Pyotr Ilyich Tchaikovsky, Composer
David Briggs, Organ
Pyotr Ilyich Tchaikovsky, Composer
(The) Nutcracker, Movement: Waltz of the flowers (Valse des fleurs) Pyotr Ilyich Tchaikovsky, Composer
David Briggs, Organ
Pyotr Ilyich Tchaikovsky, Composer
(Le) Jardin suspendu Jehan (Ariste) Alain, Composer
David Briggs, Organ
Jehan (Ariste) Alain, Composer
What’s in a title? Certainly not much so far as Priory are concerned. I doubt whether anyone would correctly guess the contents of this disc entitled “Popular Organ Music”. No Toccata and Fugue in D minor, no Widor; yes, some Bach – including the St Anne Prelude and Fugue – and Franck’s Piece heroique, which is popular with organists. But who would ever have expected Alain’s Le jardin suspendu? As for Pierre Cochereau’s Bolero sur un theme de Racquet there can be very few who even know of its existence; it’s actually an improvisation painstakingly transcribed by David Briggs. His labours have not been in vain. This is a riveting piece accompanied throughout its 12-minute crescendo, Ravel-like, by a side-drum (Priory haven’t thought fit to tell us who this patient percussionist is – or is it a machine?). It displays the wonderful Gloucester organ to scintillating effect as does the (also uncredited) arrangement of Dukas’s L’apprenti sorcier.
Briggs’s own transcription of movements from the Nutcracker is no match for that of the complete suite by Keith John on his disc. Tchaikovsky’s clever scoring of the “Miniature Overture” – no instrument lower in pitch than the viola – has been ignored by Briggs, who clearly has a penchant for a 16-footer or two, while John lets it sparkle with twinkling 8, 4, 2 and 1 foot flutes. (Listen also how ingeniously John imitates the celesta in the “Dance of the sugar-plum fairy”.) I’m not so taken by his transcription of four movements from another great Russian ballet score, Romeo and Juliet, although only with Prokofiev’s music do we have anything that really lives up to the disc’s title: apart, that is, from a movement called “Rhythmic Energy” which concludes John’s own intense and unappealing suite, Time and Motion.
Reservations apart, both discs provide a spectacular feast of virtuoso playing and stunning organ sound. We have here two of the very finest British organists playing two top-flight instruments on magnificently recorded discs, that from Gloucester being well into the demonstration-quality league.'

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