Ray Chen: The Golden Age
View record and artist detailsRecord and Artist Details
Composer or Director: George Gershwin, Traditional, Manuel (Maria) Ponce, Stephan Koncz, Fritz Kreisler, Max Bruch, Claude Debussy, Cyril (Meir) Scott
Genre:
Orchestral
Label: Decca
Magazine Review Date: 09/2018
Media Format: CD or Download
Media Runtime: 53
Mastering:
DDD
Catalogue Number: 483 3852DH
Tracks:
Composition | Artist Credit |
---|---|
A New Satiesfaction |
Stephan Koncz, Composer
Made in Berlin Stephan Koncz, Composer |
Syncopation |
Fritz Kreisler, Composer
Fritz Kreisler, Composer Julien Quentin, Piano Ray Chen, Violin |
Estrellita |
Manuel (Maria) Ponce, Composer
Julien Quentin, Piano Manuel (Maria) Ponce, Composer Ray Chen, Violin |
Concerto for Violin and Orchestra No. 1 |
Max Bruch, Composer
London Philharmonic Orchestra Max Bruch, Composer Ray Chen, Violin Robert Trevino, Conductor |
Clair de lune |
Claude Debussy, Composer
Claude Debussy, Composer |
Schön Rosmarin |
Fritz Kreisler, Composer
Fritz Kreisler, Composer Julien Quentin, Piano Ray Chen, Violin |
Porgy and Bess, Movement: Summertime |
George Gershwin, Composer
George Gershwin, Composer Ray Chen, Violin |
(2) Pieces, Movement: Lotus Land |
Cyril (Meir) Scott, Composer
Cyril (Meir) Scott, Composer Julien Quentin, Piano Ray Chen, Violin |
Waltzing Matilda |
Traditional, Composer
Traditional, Composer |
Author: Charlotte Gardner
That little Aussie triumph sits as the final, zinging coda – and shout for Chen’s Australian upbringing – on a programme celebrating the era during which violinists such as Fritz Kreisler and Jascha Heifetz walked the earth, and the music of Debussy, Satie, Bruch, Scott and Gershwin was new.
It’s an internet generation-friendly bouquet. For outer blooms, Chen’s own slick quartet, Made in Berlin, perform three pieces penned by their cellist Stephen Koncz, inside of which are snuggled Kreisler and Heifetz violin-and-piano duos with pianist Julien Quentin. Bruch’s Violin Concerto then sits as the major central bloom – a warhorse bloom to be sure (and to mix metaphors), but, under Trevino and Chen’s control, an exhilarating one, full of drive. Chen himself plays with all his usual combination of suavity and kick, and his central Adagio is a particular joy: long, at 9'26", which allows us to appreciate both his ability to spin out huge musical lines of thought and the strong-boned, penetrating, caramel-toned passion of his sound.
Space precludes a thorough tour of the chamber works. However, I must trumpet Koncz’s quartet contributions because these are what really lift this already marvellous disc into genuinely fresh, new territories. Complementing the aforementioned ‘Waltzing Matilda’ is a sensuously perfumed arrangement of Clair de lune that plays straight with Debussy, while the disc-opening A New Satiesfaction is a delicately humming, serenely exhilarating spin on Satie’s Gymnopédie No 1 that’s guaranteed to appeal to Max Richter fans.
Joyful. Original. Stunningly played. What more could anybody want?
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