Rachmaninov Symphony No 1
A fine performance of the early symphony coupled appealingly with a rare tone-poem
View record and artist detailsRecord and Artist Details
Composer or Director: Sergey Rachmaninov
Genre:
Orchestral
Label: BIS
Magazine Review Date: 10/2003
Media Format: CD or Download
Media Runtime: 63
Mastering:
Stereo
Catalogue Number: BIS-CD1309
Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 1 |
Sergey Rachmaninov, Composer
Owain Arwel Hughes, Conductor Royal Scottish National Orchestra Sergey Rachmaninov, Composer |
Prince Rostislav |
Sergey Rachmaninov, Composer
Owain Arwel Hughes, Conductor Royal Scottish National Orchestra Sergey Rachmaninov, Composer |
Author: Edward Greenfield
This third of Owain Arwel Hughes’s recordings of the Rachmaninov symphonies for BIS rounds off the series with a sympathetic reading of the First Symphony, well coupled with the rare symphonic poem, Prince Rostislav. Dating from 1891, even earlier than the symphony, it is a haunting tone-picture inspired by the legend of a prince killed in battle and ‘buried’ in the Dnieper, who in agony cries out from the depths for help from the living. Dark and meditative, with a dramatic climax, it is a remarkably confident piece for a composer still in his teens, bringing an evocative performance from Hughes and the orchestra that’s more intense than that of the symphony.
It was in 1945, two years after the composer’s death, that Prince Rostislav was finally performed, the same year the First Symphony was brought out of limbo after its disastrous first performance in 1897. The score had to be reconstructed from the orchestral parts and a piano-duet reduction, yet now it is a much-record work. Though this BIS version cannot quite match those of Previn and Ashkenazy in dramatic tension, with ensemble not quite as crisp, it comes in full, bright, well-focused sound, with opulent brass, to make it a fair contender for those who fancy the rare coupling. The open acoustic allows clarity for even the most complex textures, letting one appreciate excellent woodwind playing from the Royal Scottish National Orchestra.
It was in 1945, two years after the composer’s death, that Prince Rostislav was finally performed, the same year the First Symphony was brought out of limbo after its disastrous first performance in 1897. The score had to be reconstructed from the orchestral parts and a piano-duet reduction, yet now it is a much-record work. Though this BIS version cannot quite match those of Previn and Ashkenazy in dramatic tension, with ensemble not quite as crisp, it comes in full, bright, well-focused sound, with opulent brass, to make it a fair contender for those who fancy the rare coupling. The open acoustic allows clarity for even the most complex textures, letting one appreciate excellent woodwind playing from the Royal Scottish National Orchestra.
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