R. Strauss orchestral works

Record and Artist Details

Composer or Director: Richard Strauss

Label: Teldec (Warner Classics)

Media Format: CD or Download

Media Runtime: 0

Catalogue Number: 8 43446

Tracks:

Composition Artist Credit
Salome, Movement: Dance of the Seven Veils Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
(Der) Rosenkavalier, Movement: WALTZ SEQUENCES, Act 2 and 3 Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
Intermezzo, Movement: Reisefieber und Walzerszene Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
Intermezzo, Movement: Träumerei am Kamin Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
Intermezzo, Movement: Am Spieltisch Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
Intermezzo, Movement: Fröhlicher Beschluss Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
(Die) Schweigsame Frau, '(The) Silent Woman', Movement: Potpourri (Overture) Richard Strauss, Composer
Bavarian State Orchestra
Joseph Keilberth, Conductor
Richard Strauss, Composer
Joseph Keilberth, who died while conducting Tristan in 1968, has never perhaps had his due in this country. His Arabella with Della Casa is more indulgent than Solti's with the same soloist and in Act 2 comes nearer to the heart of the piece (DG 415 385-1GX3, 11/85). This CD of Strauss orchestral music from the operas gives a good idea of how well the Bavarian opera orchestra played for him while he was director at Munich. It is worth having for the strong and sympathetic account of the Intermezzo interludes, which justifies Strauss's adjective 'symphonic' and reinforces the essential seriousness that lies behind this brilliant domestic comedy. Good, too, to have the jolly Overture to Die schweigsame Frau. Inevitably the Rosenkavalier waltz sequence is included, but I have yet to encounter a performance to convince me that this 'works' away from the opera. There is slight tape hiss, but on the whole this is a satisfactory transfer.'

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