Puccini Suor Angelica
View record and artist detailsRecord and Artist Details
Composer or Director: Giacomo Puccini
Genre:
Opera
Label: Classics
Magazine Review Date: 9/1997
Media Format: CD or Download
Media Runtime: 56
Mastering:
ADD
Catalogue Number: 74321 40575-2
Tracks:
| Composition | Artist Credit |
|---|---|
| Suor Angelica, 'Sister Angelica' |
Giacomo Puccini, Composer
Adelheid Schiller, Lay Sister II, Mezzo soprano Bavarian Radio Chorus Birgit Calm, Mistress of the Novices, Mezzo soprano Diane Jennings, Monitress, Mezzo soprano Ellen van Lier, Almoner Sister I, Soprano Ellen van Lier, Novice, Soprano Giacomo Puccini, Composer Giuseppe Patanè, Conductor Karin Hautermann, Almoner Sister II, Soprano Lucia Popp, Suor Angelica, Soprano Marga Schiml, Abbess, Mezzo soprano Maria Gabriella Ferroni, Sister Osmina, Soprano Maria Gabriella Ferroni, Sister Genovieffa, Soprano Marjana Lipovsek, Princess, Contralto (Female alto) Mechthild Georg, Sister Dolcina, Soprano Monika Schmitt, Lay Sister I, Soprano Munich Children's Choir Munich Radio Orchestra Valerie Errante, Nursing (Infirmary) Sister, Mezzo soprano |
Composer or Director: Giacomo Puccini
Genre:
Opera
Label: Classics
Magazine Review Date: 9/1997
Media Format: CD or Download
Media Runtime: 51
Mastering:
ADD
Catalogue Number: 74321 40581-2
Tracks:
| Composition | Artist Credit |
|---|---|
| (Il) Tabarro, '(The) Cloak' |
Giacomo Puccini, Composer
Bavarian Radio Chorus Gerhard Auer, Talpa, Bass Giacomo Puccini, Composer Giorgio Lamberti, Luigi, Tenor Giuseppe Patanè, Conductor Heinrich Weber, Lover II, Tenor Ilona Tokody, Giorgetta, Soprano Karin Hautermann, Lover I, Soprano Munich Radio Orchestra Siegmund Nimsgern, Michele, Baritone Tullio Pane, Tinca, Tenor Ulrich Ress, Ballad-seller, Tenor Wiera Baniewicz, Frugola, Mezzo soprano |
Author: Michael Oliver
Most current recordings of Puccini’s Trittico are only available as inseparable triplets, so these newly divided constituents of Patane’s affectionately detailed account are well worth considering, especially at bargain price. In the case of Suor Angelica, where Ferroni is a girlish but shrill Genovieffa, Lipovsek an unexaggerated but also not especially characterful Princess, Popp and Patane himself are the main attractions. She does not have the ideal vocal purity for Angelica, but she strives for it, is touching throughout and moving by the end. I still prefer Tullio Serafin’s lovely performance on EMI, with Victoria de los Angeles the most affecting and most beautifully sung of all Angelicas, despite dated mono sound and the fact that it is available only as part of a complete trilogy. For anyone insisting on stereo or wanting this opera on its own, Patane’s version makes a more than acceptable substitute, but RCA have rather spoiled the bargain by providing a libretto in Italian only (with stage directions removed: what happens at the end? a newcomer to the piece might ask) and dividing the piece into only three tracks, one of them 28 minutes long.
The classic (but mono) rival to Patane’s Il tabarro is Vincenzo Bellezza’s rather stiff-jointed account, though that does have the incomparable compensation of Tito Gobbi as Michele (it is part of the same three-CD set as Serafin’s Suor Angelica). Nimsgern is not quite in Gobbi’s class, but he effectively combines pathos and menace, while Tokody and Lamberti are respectively the superior and almost the equal of their equivalents in the elderly EMI recording. Tokody in particular is a very convincing Giorgetta: Italianate and vehemently temperamental. Patane is reliable; the recording, a little recessing of the voices aside, is atmospheric and clean. Another worthwhile bargain alternative, but the mid-price EMI set also offers Gianni Schicchi, with Gobbi and Santini, which makes it something of a bargain also.'
The classic (but mono) rival to Patane’s Il tabarro is Vincenzo Bellezza’s rather stiff-jointed account, though that does have the incomparable compensation of Tito Gobbi as Michele (it is part of the same three-CD set as Serafin’s Suor Angelica). Nimsgern is not quite in Gobbi’s class, but he effectively combines pathos and menace, while Tokody and Lamberti are respectively the superior and almost the equal of their equivalents in the elderly EMI recording. Tokody in particular is a very convincing Giorgetta: Italianate and vehemently temperamental. Patane is reliable; the recording, a little recessing of the voices aside, is atmospheric and clean. Another worthwhile bargain alternative, but the mid-price EMI set also offers Gianni Schicchi, with Gobbi and Santini, which makes it something of a bargain also.'
Puccini Suor Angelica
Puccini Il tabarro
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