Puccini (La) Bohème
A well-shot DVD with plenty of atmosphere, in which the sheer professionalism of Freni, Pavarotti and Ghiaurov makes up for a generally less experienced cast
View record and artist detailsRecord and Artist Details
Composer or Director: Giacomo Puccini
Genre:
DVD
Label: Arthaus Musik
Magazine Review Date: 10/2000
Media Format: Digital Versatile Disc
Media Runtime: 116
Mastering:
DDD
Catalogue Number: 100 047B

Tracks:
Composition | Artist Credit |
---|---|
(La) Bohème, 'Bohemian Life' |
Giacomo Puccini, Composer
Francesca Zambello, Wrestling Bradford Giacomo Puccini, Composer Gino Quilico, Marcello, Baritone Italo Tajo, Benoit, Baritone Italo Tajo, Benoit, Baritone Italo Tajo, Benoit, Bass Italo Tajo, Alcindoro, Baritone Italo Tajo, Alcindoro, Baritone Italo Tajo, Alcindoro, Bass Luciano Pavarotti, Rodolfo, Tenor Mirella Freni, Mimi, Soprano Nicolai Ghiaurov, Colline, Bass San Francisco Opera Chorus San Francisco Opera Orchestra Sandra Pacetti, Musetta, Soprano Stephen Dickson, Schaunard, Baritone Tiziano Severini, Conductor |
Author: Alan Blyth
This recording received a complimentary review from John Steane when it appeared in LaserDisc format back in May 1993. I share his enthusiasm for the restraint and experience of Freni and Pavarotti, who (even in 1988, when the performance took place) didn’t look like the young lovers predicated by the libretto, but who make up for it with the ‘rich humanity’ (JBS’s words) of their portrayals, although both evince the occasional moment of strain that confirms they were no longer in the full flush of vocal youth. Ghiaurov, at 59, remains a tower of strength as Colline, although his voice sounds a shade rusty. These veterans tend to show up the relatively casual, upfront performances of the remaining singers. The conductor is sympathetic to the needs of singers and score.
The staging is traditional in the best sense, even if it cannot rival the great Zeffirelli/La Scala production, also with Freni, which is still available on VHS conducted by Karajan (though that has a post-synchronised soundtrack). Brian Large, as ever, has his cameras in the right place at the right time, with the correct balance between distant and close-up shots. The sound has plenty of atmosphere, but, as is the case on so many LaserDiscs and DVDs, the voices aren’t given enough prominence.'
The staging is traditional in the best sense, even if it cannot rival the great Zeffirelli/La Scala production, also with Freni, which is still available on VHS conducted by Karajan (though that has a post-synchronised soundtrack). Brian Large, as ever, has his cameras in the right place at the right time, with the correct balance between distant and close-up shots. The sound has plenty of atmosphere, but, as is the case on so many LaserDiscs and DVDs, the voices aren’t given enough prominence.'
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