PROKOFIEV Complete Works for Violin
Ehnes moves from bit-by-bit Bartók to complete Prokofiev
View record and artist detailsRecord and Artist Details
Composer or Director: Sergey Prokofiev
Genre:
Orchestral
Label: Chandos
Magazine Review Date: 10/2013
Media Format: CD or Download
Media Runtime: 141
Mastering:
DDD
Catalogue Number: CHAN10787
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Violin and Orchestra No. 1 |
Sergey Prokofiev, Composer
BBC Philharmonic Orchestra Gianandrea Noseda, Conductor James Ehnes, Violin Sergey Prokofiev, Composer |
Concerto for Violin and Orchestra No. 2 |
Sergey Prokofiev, Composer
BBC Philharmonic Orchestra Gianandrea Noseda, Conductor James Ehnes, Violin Sergey Prokofiev, Composer |
Sonata for 2 Violins |
Sergey Prokofiev, Composer
Amy Schwartz Moretti, Violin James Ehnes, Violin Sergey Prokofiev, Composer |
Sonata for Violin |
Sergey Prokofiev, Composer
James Ehnes, Violin Sergey Prokofiev, Composer |
Sonata for Violin and Piano No. 1 |
Sergey Prokofiev, Composer
Andrew Armstrong, Piano James Ehnes, Violin Sergey Prokofiev, Composer |
Sonata for Violin and Piano No. 2 |
Sergey Prokofiev, Composer
Andrew Armstrong, Piano James Ehnes, Violin Sergey Prokofiev, Composer |
(5) Melodies |
Sergey Prokofiev, Composer
Andrew Armstrong, Piano James Ehnes, Violin Sergey Prokofiev, Composer |
Author: David Gutman
You sense that we are in for a special performance of the D major Concerto (No 1) even before the soloist enters, Noseda eliciting a special quality of fairy-tale unreality from its opening shimmer. In fact the contribution of the BBC Philharmonic is distinguished throughout, the reading taut as well as pure. Eschewing the point-scoring interventionism of Josefowicz, Steinbacher et al, there is no danger of sprawl.
Ehnes’s propensity for understatement is yet more striking in the later concerto, where recent exponents have seemed determined to unearth a more belligerent, politicised subtext at the expense of tonal beauty and accurate articulation. I couldn’t do without Kyung-Wha Chung’s heartfelt response to its lyrical slow movement. Then again, Ehnes is exquisite too, helped by an accompaniment of real acuity and grace. Prokofiev’s finale comes across as pungent rather than rough or awkward, abetted by well-judged sound recording which, though resonant in the house style, does not smudge orchestral detail. The chamber works are given a tighter sonic focus in a different venue. Ehnes has been championing the violin sonatas for years and there exists an earlier commercial disc in which he partners Wendy Chen. His current collaborator is the sympathetic Andrew Armstrong, who may or may not be behind what is a considerably tighter conception of the great F minor work (No 1). Some will find this supremely cogent rethink unduly circumspect after the likes of David Oistrakh and Sviatoslav Richter, convincing as it is on its own terms. The companion sonata, reimagined at Oistrakh’s behest from Prokofiev’s flute original, has by contrast a little more weight than before, making the two pieces feel less disparate. If none of the remaining items operates on quite the same level whether Californian, Parisian or Soviet in inspiration, all are worth hearing. Again, Ehnes favours speeds a little brisker than usual. The accompanying, mildly revisionist booklet-note is by David Nice. Strongly recommended.
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.