Placido Domingo – Live in Prague
View record and artist detailsRecord and Artist Details
Composer or Director: Giacomo Puccini, Wolfgang Amadeus Mozart, Manuel Penella, Teodor Grigoriu, Gioachino Rossini, Giuseppe Verdi, Augustin Lara, Gaetano Donizetti, Alfredo Catalani, Giacomo Meyerbeer, Leonard Bernstein, Pablo Sorozábal, Federico Moreno Torroba
Genre:
DVD
Label: Beckmann
Magazine Review Date: 7/2001
Media Format: Digital Versatile Disc
Media Runtime: 90
Mastering:
Stereo
Catalogue Number: BDV005
Tracks:
Composition | Artist Credit |
---|---|
Candide (opera house version), Movement: Overture |
Leonard Bernstein, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Leonard Bernstein, Composer |
(La) Wally, Movement: Ebben?...Ne andrò lontana |
Alfredo Catalani, Composer
Alfredo Catalani, Composer Czech Symphony Orchestra Eugene Kohn, Conductor Plácido Domingo, Tenor |
(L')Elisir d'amore, 'Elixir of Love', Movement: ~ |
Gaetano Donizetti, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Gaetano Donizetti, Composer Plácido Domingo, Tenor |
Valurile Dunarii, Movement: Valurile Dunarii |
Teodor Grigoriu, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Plácido Domingo, Tenor Teodor Grigoriu, Composer |
Granada |
Augustin Lara, Composer
Augustin Lara, Composer Czech Symphony Orchestra Eugene Kohn, Conductor Plácido Domingo, Tenor |
(L')Africaine, '(The) African Maid', Movement: ~ |
Giacomo Meyerbeer, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Giacomo Meyerbeer, Composer Plácido Domingo, Tenor |
Don Giovanni, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Plácido Domingo, Tenor Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Porgi, amor |
Wolfgang Amadeus Mozart, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Plácido Domingo, Tenor Wolfgang Amadeus Mozart, Composer |
(El) Gato Montés, Movement: Me llambas, Rafaeliyo? |
Manuel Penella, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Manuel Penella, Composer Plácido Domingo, Tenor |
Tosca, Movement: E lucevan le stelle |
Giacomo Puccini, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Giacomo Puccini, Composer Plácido Domingo, Tenor |
Turandot, Movement: Tu, che di gel sei cinta |
Giacomo Puccini, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Giacomo Puccini, Composer Plácido Domingo, Tenor |
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: Overture |
Gioachino Rossini, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Gioachino Rossini, Composer |
(La) Tabernera del puerto |
Pablo Sorozábal, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Pablo Sorozábal, Composer Plácido Domingo, Tenor |
Maravilla, Movement: Amor, vida de mi vida |
Federico Moreno Torroba, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Federico Moreno Torroba, Composer Plácido Domingo, Tenor |
(La) traviata, Movement: Libiamo, ne' lieti calici (Brindisi) |
Giuseppe Verdi, Composer
Czech Symphony Orchestra Eugene Kohn, Conductor Giuseppe Verdi, Composer Plácido Domingo, Tenor |
Otello, Movement: ~ |
Giuseppe Verdi, Composer
Angela Gheorghiu, Soprano Czech Symphony Orchestra Eugene Kohn, Conductor Giuseppe Verdi, Composer Plácido Domingo, Tenor |
Author:
Standing as in a florist’s shop and with more blooms still arriving, he gives two encores himself and leads the audience in the Brindisi from La traviata. The young soprano joins him, but he (for all his gallantry of manner and ungrudging division of the programme) is the centre and prime attraction. This was in 1994, and Angela Gheorghiu had been on the international scene for only two years; in a very short while, the billing, and the share of interest, would probably have been rather different.
She, too, was making her Prague debut. Beginning with ‘Porgi amor’, sung with the kind of beauty Te Kanawa brought to it in her prime, she goes on to the aria from La Wally, which is even better. He too is in fine form, a gleam of strong metal shining through the velvet. Eventually, as viewers, we are drawn in; yet neither the camera-work nor the sound quality quite makes us feel we are there. For those who were, the DVD will be an attractive memento
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