Pettersson Violin Concerto No 2 (revised version)
A finely drawn recording of Pettersson’s beautiful Second Violin Concerto
View record and artist detailsRecord and Artist Details
Composer or Director: (Gustaf) Allan Pettersson
Genre:
Orchestral
Label: CPO
Magazine Review Date: 4/2007
Media Format: CD or Download
Media Runtime: 55
Mastering:
Stereo
DDD
Catalogue Number: CPO777 199-2
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Violin and Orchestra No. 2 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Isabelle van Keulen, Violin Swedish Radio Symphony Orchestra Thomas Dausgaard, Conductor |
Composer or Director: (Gustaf) Allan Pettersson, Peter Ruzicka
Genre:
Orchestral
Label: CPO
Magazine Review Date: 4/2007
Media Format: CD or Download
Media Runtime: 0
Mastering:
Stereo
DDD
ADD
Catalogue Number: CPO777 247-2
Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 2 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor BBC Scottish Symphony Orchestra |
Symphonic Movement |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor BBC Scottish Symphony Orchestra |
Symphony No. 3 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor Saarbrücken Radio Symphony Orchestra |
Symphony No. 4 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor Saarbrücken Radio Symphony Orchestra |
Symphony No. 5 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor Saarbrücken Radio Symphony Orchestra |
Symphony No. 16 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor John-Edward Kelly, Alto saxophone Saarbrücken Radio Symphony Orchestra |
Symphony No. 6 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Berlin Deutsches Symphony Orchestra Manfred Trojahn, Conductor |
Symphony No. 7 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Gerd Albrecht, Conductor Hamburg State Philharmonic Orchestra |
Symphony No. 8 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Berlin Radio Symphony Orchestra Thomas Sanderling, Conductor |
Symphony No. 9 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor Berlin Deutsches Symphony Orchestra |
Symphony No. 10 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor Hannover Radio Philharmonie |
Symphony No. 11 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor Hannover Radio Philharmonie |
Symphony No. 12, '(The) dead in the square' |
(Gustaf) Allan Pettersson, Composer
(Eric) Ericson Chamber Choir (Gustaf) Allan Pettersson, Composer Manfred Honeck, Conductor Swedish Radio Choir Swedish Radio Symphony Orchestra |
Symphony No. 13 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Alun Francis, Conductor BBC Scottish Symphony Orchestra |
Symphony No. 14 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Berlin Radio Symphony Orchestra Johann Arnell, Conductor |
Symphony No. 15 |
(Gustaf) Allan Pettersson, Composer
(Gustaf) Allan Pettersson, Composer Berlin Deutsches Symphony Orchestra Peter Ruzicka, Conductor |
`...Das Gesegnete, das Verfluchte' |
Peter Ruzicka, Composer
Berlin Deutsches Symphony Orchestra Peter Ruzicka, Composer Peter Ruzicka, Conductor |
Author: Guy Rickards
Direct comparisons between the two recordings are invidious, being of different versions, but I think it fair to say that van Keulen finds more subtlety and lyricism than Haendel was able to. The latter’s steel did seem wholly right for this composer’s style in 1980 but van Keulen’s more sensitive, even vulnerable interpretation actually fits the work – based on one of Pettersson’s gentle Barefoot Songs – rather better. The lyrical second part, roughly the last 12 minutes (from tr 7), is more acutely drawn than previously, due to Dausgaard’s impeccable accompaniment.
CPO’s epic survey of Pettersson’s symphonies, newly reissued as a 12-disc set, should be titled “Complete completed” as it omits the fragmentary First (1951) and Seventeenth (1980) which are not viable for performance (Ruzicka’s …das Gesegnete, coupled with No 15, alludes to No 17). CPO’s accounts are remarkably consistent despite 10 different line-ups. In the half-dozen he recorded, Segerstam remains mostly first choice (Dorati is supreme in No 7) but overall CPO’s stand up well. Alun Francis directed over half of these, getting firmly under the skin of Pettersson’s idiom, although tending to the slow. While Westerberg’s Second (nla) was tauter, Francis’s attention to detail casts a different light on this complex early score, while he catches No 5’s essence even more than Atzmon. Yes, Commissiona’s account of No 14 outpointed Arnell’s but not by much and, conversely, Sanderling’s Eighth outshines Commissiona’s DG LP version (nla) and matches Segerstam. Trojahn’s Sixth may not catch the sheer excitement of Kamu on CBS LP (nla) but is still excellent. For those coming new to Pettersson, Nos 7, then 5, 6 and 8 are the place to start and these recordings do the music full justice.
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