After eight highly acclaimed discs of ‘Organ Fireworks’ the winning combination of Christopher Herrick and Hyperion have turned their attention towards the calmer and more reflective repertory grouped under the title ‘Organ Dreams’.
Volume 2 consists mostly of original organ music spanning the period 1815-1952, all of which fits the instrument in Ripon Cathedral like a well-tailored glove.
Not every title reflects a dream-like state, though the disc’s opening track – Dubois’ In paradisum creates an aura of calm. Frank Bridge’s oft-played Adagio in E is also smoothly shaped, with its grand climax carefully controlled. Guilmant’s ‘Reve’ of 1902 is delicious, its impressionistic perfume wafting effortlessly.
With a running time of 19 minutes, Elgar’s rarely heard Vesper Voluntaries of 1889 form the centrepiece of Herrick’s programme. What charmers they are: mostly mezzo-piano in dynamic, with occasional fuller-bodied outbursts, none of them outstays its welcome. They are followed by Howells’ rambling Siciliano (the most recent piece on the disc), which Herrick keeps moving. However, he does allow himself plenty of time for William Strickland’s convincing arrangement of Barber’s Adagio.
The Liszt is a shameless piece of kitsch which borrows freely from Allegri’s Miserere and Mozart’s Ave verum corpus. More worthwhile are Schumann’s Study and a quartet of miniatures by Samuel Wesley. The only fault I could find with the whole package was that the portrait purporting to be that of Wesley senior is, in fact, that of his natural son, Samuel Sebastian.
This disc is sensitively and affectionately played and it works well at a single hearing. Thoroughly enjoyable and strongly recommended.'