Operatunity – The Winners

Two winners sing honourably – but is that enough in a highly competitive world?

Record and Artist Details

Composer or Director: Wolfgang Amadeus Mozart, Giacomo Puccini, Arthur (Seymour) Sullivan, Georges Bizet, (Clément Philibert) Léo Delibes, Antonín Dvořák, Engelbert Humperdinck, Alfredo Catalani, Giuseppe Verdi, George Frideric Handel, Vincenzo Bellini

Genre:

Vocal

Label: EMI

Media Format: CD or Download

Media Runtime: 76

Mastering:

Stereo
DDD

Catalogue Number: 557594-2

Tracks:

Composition Artist Credit
Gianni Schicchi, Movement: O mio babbino caro Giacomo Puccini, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Giacomo Puccini, Composer
Paul Daniel, Conductor
Rusalka, Movement: O, moon high up in the deep, deep sky (O silver moon) Antonín Dvořák, Composer
Antonín Dvořák, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Paul Daniel, Conductor
Rigoletto, Movement: ~ Giuseppe Verdi, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Giuseppe Verdi, Composer
Paul Daniel, Conductor
Lakmé, Movement: ~ (Clément Philibert) Léo Delibes, Composer
(Clément Philibert) Léo Delibes, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Dove sono (second part: Act 3: Countess: 1789 vers Wolfgang Amadeus Mozart, Composer
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
Wolfgang Amadeus Mozart, Composer
(La) Wally, Movement: Ebben?...Ne andrò lontana Alfredo Catalani, Composer
Alfredo Catalani, Composer
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
Madama Butterfly, Movement: Un bel dì vedremo Giacomo Puccini, Composer
English National Opera Orchestra
Giacomo Puccini, Composer
Jane Gilchrist, Soprano
Paul Daniel, Conductor
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ Wolfgang Amadeus Mozart, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
Wolfgang Amadeus Mozart, Composer
Samson, Movement: Let the bright Seraphim George Frideric Handel, Composer
English National Opera Orchestra
George Frideric Handel, Composer
Paul Daniel, Conductor
Turandot, Movement: Signore, ascolta! Giacomo Puccini, Composer
English National Opera Orchestra
Giacomo Puccini, Composer
Jane Gilchrist, Soprano
Paul Daniel, Conductor
Norma, Movement: ~ Vincenzo Bellini, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Paul Daniel, Conductor
Vincenzo Bellini, Composer
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Porgi, amor Wolfgang Amadeus Mozart, Composer
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
Wolfgang Amadeus Mozart, Composer
Hänsel und Gretel, Movement: ~ Engelbert Humperdinck, Composer
Denise Leigh, Soprano
Engelbert Humperdinck, Composer
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
Carmen, Movement: Je dis que rien ne m'épouvante (Micaëla's aria Georges Bizet, Composer
Denise Leigh, Soprano
English National Opera Orchestra
Georges Bizet, Composer
Paul Daniel, Conductor
(The) Pirates of Penzance (or The Slave of Duty), Movement: Poor wandering one Arthur (Seymour) Sullivan, Composer
Arthur (Seymour) Sullivan, Composer
English National Opera Orchestra
Jane Gilchrist, Soprano
Paul Daniel, Conductor
How is one fairly to judge such an offering as this? These two undoubtedly talented sopranos, winners of Channel 4’s Operatunity programme, produced under the aegis of ENO, are now being promoted in a questionable way, of which this EMI CD is part. Suddenly bounced into the limelight, they are here being given a chance to display their wares in a taxing programme, the results of which will no doubt satisfy the many who have enjoyed their singing on TV. As such, they offer a pleasing if never very positive experience.

Leigh has the more distinctive voice, its quick vibrato unfashionable but giving character to her tone, even if it sometimes seems a mite insubstantial. On the whole she sings lighter roles with poise and accuracy, but seems over-stretched by ‘Casta diva’ and Micaëla’s aria from Carmen, which call for a bigger sound. Gilchrist has the heavier voice, able – as here – to encompass Butterfly’s famous aria, and always secure in manner. Both offer creditable accounts of ‘Caro nome’ as they did in the TV broadcast of Rigoletto.

Neither seems to have any special interpretative insights to offer into their repertory, but then how can that not be, given that their stage experience is virtually nil? They sing in the well-studied, careful way of singers taking part in an audition. It’s significant that both come to life when performing in English – Leigh in Handel and Gilchrist in Sullivan – so it is surprising that Paul Daniel did not persuade them to sing everything in the vernacular, particularly when their grasp of the foreign texts seems a bit vague.

Which leads me to the surely relevant point that regular sopranos in our native companies, who have the experience lacking here and have worked their guts out to create estimable careers, are not granted this kind of opportunity. That in no way detracts from the dedicated work put in by these two aspiring singers. Daniel and his orchestra provide loyal support, but might have helped each artist by proposing faster speeds all-round, the Mozart pieces apart, which are surely too hurried!

Discover the world's largest classical music catalogue with Presto Music. 

Stream on Presto Music | Buy from Presto Music

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.