NIELSEN Symphonies Nos 2 & 3

Davis’s Nielsen cycle with the LSO concludes

Record and Artist Details

Genre:

Orchestral

Label: LSO Live

Media Format: Super Audio CD

Media Runtime: 67

Mastering:

DDD

Catalogue Number: LSO0722

Tracks:

Composition Artist Credit
Symphony No. 2, '(The) Four Temperaments' Carl Nielsen, Composer
Colin Davis, Conductor
London Symphony Orchestra
Symphony No. 3, 'Sinfonia espansiva' Carl Nielsen, Composer
Colin Davis, Conductor
London Symphony Orchestra
Lucy Hall, Soprano
Marcus Farnsworth, Baritone
It’s Colin Davis’s rotten bad luck that his versions of Carl Nielsen’s Second and Third symphonies should appear only a few months after Alan Gilbert and the New York Philharmonic released the same programme on Dacapo. Gilbert’s raw-boned, architecturally smart, assertively played performances of Nielsen’s Four Temperaments and Sinfonia espansiva is everything that Davis’s performances are not, but need to be. I happened to be at one of the live Barbican performances out of which LSO Live culled this CD and that night the LSO were on shocking form: internal meandering, flabby attack and untidy ensemble ruled. Perhaps the takes used on this disc came from other concerts in the series, as these problems are largely absent on CD; but the tone remains tentative and grimly determined – dogged professionalism allowed to wing it in interpretations that, every instinct says, needed far longer to mature.

Sinfonia espansiva is undermined terminally by Davis’s clipped, middle-ground tempi. Gilbert has Nielsen’s Allegretto skip spryly out of the bucolic dream of the Andante pastorale that preceded it; under Davis the same Allegretto maintains, rather than chemically alters, the mood. The finale is, ditto, oddly lacking in poetic incentive; the valedictory chorale sounds clubbable enough but the clue is in the title. Airborne expansiveness? Not here.

Comparable problems dog The Four Temperaments, while a sound picture that drags everything into a grey no-man’s-land proves ruinous to Nielsen’s internal counterpoint and, once again, leaves Gilbert and Dacapo with little to worry about.

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