Mussorgsky Pictures at an Exhibition; Schubert Three Pieces; Martinu Fantasia & Toccata
Firkusny as powerhouse pianist? Just listen to this glorious recital
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Schubert, Bohuslav (Jan) Martinu, Bedřich Smetana, Fryderyk Chopin, Modest Mussorgsky
Label: BBC Legends
Magazine Review Date: 9/2008
Media Format: CD or Download
Media Runtime: 0
Mastering:
Stereo
Catalogue Number: BBCL4238-2
Tracks:
Composition | Artist Credit |
---|---|
(3) Klavierstücke |
Franz Schubert, Composer
Franz Schubert, Composer Rudolf Firkusný, Piano |
Fantasie and Toccata |
Bohuslav (Jan) Martinu, Composer
Bohuslav (Jan) Martinu, Composer Rudolf Firkusný, Piano |
Pictures at an Exhibition |
Modest Mussorgsky, Composer
Modest Mussorgsky, Composer Rudolf Firkusný, Piano |
Mazurkas (Complete), Movement: No. 41 in C sharp minor, Op. 63/3 (1846) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Rudolf Firkusný, Piano |
(14) Czech Dances, Movement: Furiant |
Bedřich Smetana, Composer
Bedřich Smetana, Composer Rudolf Firkusný, Piano |
Author: Bryce Morrison
Those inclined to think of Rudolf Firkusny as a stylish but understated pianist are in for a surprise when they listen to this Queen Elizabeth Hall recital from 1980. True, in Schubert's D946 pieces he remains a master of understatement. Playing with a patrician ease and grace, he none the less finds all of the Second Impromptu's central agitation, and if the quietly pulsing centre at the heart of No 3 sounds oddly diffident (at least when compared with Kempff's magical idiosyncrasy in his 1969 recital, also on BBC Legends), he ends this whimsical caprice in dazzling style. In the Mussorgksy Pictures you sit back and listen to the highest musical quality caught, as it were, on the wing, but it is Firkusny's unleashing of power in the final pages of "The Great Gate of Kiev" that hints at the sort of reserves he had up his sleeve when in his most outgoing mood. For his Czech items (always at the heart of a Firkusny recital) he throws off Martinu's Fantaisie and Toccata with a special authenticity and aplomb, though even here he hardly prepares you for his Smetana encores. Smetana' piano music bristles with every virtuoso challenge, and the sheer excitement of Firkusy's storm though the C major Concert Study (taken at a gloriously indiscreet, hair-raising speed) has the audience cheering him to the rafters. Chopin's Op 63 No 3 Mazurka is spun off with the most gentle lift to its phrases, another reminder of a pianist garlanded with honours, particularly in his homeland and in his adopted America. Firkusny was the sort of musician other musicians flocked to hear and since he made relatively few commercial recordings, this thrilling disc, finely mastered, is doubly welcome.
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