Music for the Queen of Heaven
View record and artist detailsRecord and Artist Details
Composer or Director: Judith Weir, Andrzej Panufnik, Roxanna Panufnik, Lennox (Randall Francis) Berkeley, Cecilia McDowall, Stephen Dodgson, Herbert Howells, Hilary Campbell, Matthew Martin, Gabriel Jackson, Cheryl Frances-Hoad, James MacMillan
Genre:
Vocal
Label: Delphian
Magazine Review Date: 12/2017
Media Format: CD or Download
Media Runtime: 59
Mastering:
DDD
Catalogue Number: DCD34190

Tracks:
Composition | Artist Credit |
---|---|
Salve Regina |
Gabriel Jackson, Composer
Gabriel Jackson, Composer Marian Consort Rory McCleery, Director |
Ave Regina caelorum |
Judith Weir, Composer
Judith Weir, Composer Marian Consort Rory McCleery, Director |
Song to the Virgin Mary |
Andrzej Panufnik, Composer
Andrzej Panufnik, Composer Marian Consort Rory McCleery, Director |
Alma Redemptoris Mater |
Cecilia McDowall, Composer
Cecilia McDowall, Composer Marian Consort Rory McCleery, Director |
Ave virgo sanctissima |
Matthew Martin, Composer
Marian Consort Matthew Martin, Composer Rory McCleery, Director |
Gaude et laetare |
Cheryl Frances-Hoad, Composer
Cheryl Frances-Hoad, Composer Marian Consort Rory McCleery, Director |
Ave Maria |
Hilary Campbell, Composer
Hilary Campbell, Composer Marian Consort Rory McCleery, Director |
Dormi, Jesu |
Stephen Dodgson, Composer
Marian Consort Rory McCleery, Director Stephen Dodgson, Composer |
Magnificat |
Roxanna Panufnik, Composer
Marian Consort Rory McCleery, Director Roxanna Panufnik, Composer |
Regina coeli, laetare |
Lennox (Randall Francis) Berkeley, Composer
Lennox (Randall Francis) Berkeley, Composer Marian Consort Rory McCleery, Director |
Ave maris stella |
James MacMillan, Composer
James MacMillan, Composer Marian Consort Rory McCleery, Director |
Author: Malcolm Riley
Two composers tackle the same text – the Salve regina. Gabriel Jackson takes a soothing, close-harmony approach, whereas the Howells (which dates from 1915 and was written for Richard Terry’s fledgling Westminster Cathedral Choir) is clearly the product of many hours improvising in the organ loft. Anna Dennis’s soaring solo is deliciously outstanding. Howells’s spirit also hovers benevolently over Hilary Campbell’s scrunchy Ave Maria of 2012. By way of contrast, mock medievalisms are a distinctive feature of Cecilia McDowall’s votive antiphon Alma redemptoris mater.
The most recent track, dating from 2016, is Cheryl Frances-Hoad’s Gaude et laetare. Here the bells ring out in a tour de force of rousing harmonic daring. Joy also spills out of Lennox Berkeley’s Regina coeli, laetare, the third of his Op 83 motets. The hypnotic repeated notes of MacMillan’s Vesper hymn Ave maris stella bring this perfectly balanced sequence to a serene conclusion.
With no more than eight voices singing, the recorded balance is generally excellent with just a couple of moments when the bass’s lowest notes fail to register completely.
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