MOZART Piano Sonatas Nos 6, 7 & 14
View record and artist detailsRecord and Artist Details
Composer or Director: Wolfgang Amadeus Mozart
Genre:
Instrumental
Label: Oehms
Magazine Review Date: 09/2017
Media Format: CD or Download
Media Runtime: 77
Mastering:
DDD
Catalogue Number: OC1857
Tracks:
Composition | Artist Credit |
---|---|
Sonata for Piano No. 6 |
Wolfgang Amadeus Mozart, Composer
William Youn, Piano Wolfgang Amadeus Mozart, Composer |
Sonata for Piano No. 7 |
Wolfgang Amadeus Mozart, Composer
William Youn, Piano Wolfgang Amadeus Mozart, Composer |
Fantasia |
Wolfgang Amadeus Mozart, Composer
William Youn, Piano Wolfgang Amadeus Mozart, Composer |
Sonata for Piano No. 14 |
Wolfgang Amadeus Mozart, Composer
William Youn, Piano Wolfgang Amadeus Mozart, Composer |
Author: Harriet Smith
The C major Sonata, K309, is just as compelling, Youn relishing the tension between extrovert and introvert in the first movement, the octaves never sounding out of scale, despite the modern instrument. After the shy elegance of the Andante un poco adagio, Youn palpably enjoys the playful finale, its hunt-like motifs given with wit but never over-egged.
He chooses to preface the C minor Sonata, K457, with the Fantasy, K475, as Haefliger does on his disc. Youn’s reading of the Fantasy is one of the highlights here: he is fully alive to the importance of the silences within it, while also letting the music build and billow without ever lapsing into melodrama. And the sudden outburst of toccata-like writing (at 7'59") is thrilling indeed. In the Sonata, the bald outlines of its opening are judged to a nicety – dramatic but not hectoring – though I very much like Brendel here in his recording from 2000, where he internalises the movement’s Sturm und Drang to profound effect. Haefliger sets off at a lightning tempo, perhaps slightly too fast for the drama to tell sufficiently, though the elfin high-lying writing is undeniably effective. Youn manages to sound entirely natural in the slow movement – no mean feat, as anyone who has ever attempted it will know – while Mozart’s endless changes of direction in the finale are conveyed with great panache.
This is beguiling Mozart-playing – innate, intelligent, honest and fiercely musical.
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