Mozart: Orchestral works
View record and artist detailsRecord and Artist Details
Composer or Director: Wolfgang Amadeus Mozart
Magazine Review Date: 10/1985
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: NUM75184
Tracks:
Composition | Artist Credit |
---|---|
Cassation |
Wolfgang Amadeus Mozart, Composer
(Jean-François) Paillard Chamber Orchestra Jean-François Paillard, Conductor Wolfgang Amadeus Mozart, Composer |
Cassation, "Final-Musik" |
Wolfgang Amadeus Mozart, Composer
(Jean-François) Paillard Chamber Orchestra Jean-François Paillard, Conductor Wolfgang Amadeus Mozart, Composer |
March |
Wolfgang Amadeus Mozart, Composer
(Jean-François) Paillard Chamber Orchestra Jean-François Paillard, Conductor Wolfgang Amadeus Mozart, Composer |
Composer or Director: Wolfgang Amadeus Mozart
Magazine Review Date: 10/1985
Media Format: CD or Download
Media Runtime: 0
Mastering:
DDD
Catalogue Number: ECD88101
Tracks:
Composition | Artist Credit |
---|---|
Cassation |
Wolfgang Amadeus Mozart, Composer
(Jean-François) Paillard Chamber Orchestra Jean-François Paillard, Conductor Wolfgang Amadeus Mozart, Composer |
Cassation, "Final-Musik" |
Wolfgang Amadeus Mozart, Composer
(Jean-François) Paillard Chamber Orchestra Jean-François Paillard, Conductor Wolfgang Amadeus Mozart, Composer |
March |
Wolfgang Amadeus Mozart, Composer
(Jean-François) Paillard Chamber Orchestra Jean-François Paillard, Conductor Wolfgang Amadeus Mozart, Composer |
Author: rgolding
The D major, K100 makes rare appearances on records, and is at present only available as part of the Philips Complete Mozart Edition (6747 378, 9/77): likewise K63 and 99, although they have occasionally appeared coupled together (notably on Decca JB66—11/80, nla—performed by the Vienna Mozart Ensemble under Willi Boskovsky). To have all three works on one record is a treat, even if it means that no repeats are observed, except in the Minuets (and, curiously, in the G minor Trio of K63's first Minuet). The performances, by Jean-Francois Paillard and his eponymous Chamber Orchestra, display a nice feeling for style, if not quite the panache of Boskovsky and his Viennese team. Some tempos strike me as being rather on the fast side (notably that of the first Minuet in K99, which is positively skittish), and I am not convinced by Paillard's slowing down for the Trio of K63's first Minuet or for the minore episode in its concluding Rondo; but these are very minor points in an enjoyable and well-engineered recording that contains over an hour's music. The names of the excellent violin, oboe and horn soloist should have been printed on the sleeve.'
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