MOZART Il re pastore
View record and artist detailsRecord and Artist Details
Composer or Director: Wolfgang Amadeus Mozart
Genre:
Opera
Label: Signum
Magazine Review Date: 11/2015
Media Format: CD or Download
Media Runtime: 117
Mastering:
DDD
Catalogue Number: SIGCD433
Tracks:
Composition | Artist Credit |
---|---|
(Il) re pastore, '(The) Shepherd King' |
Wolfgang Amadeus Mozart, Composer
Ailish Tynan, Elisa, Soprano Anna Devin, Tamiri, Soprano Benjamin Hulett, Agenore, Tenor Ian Page, Conductor John Mark Ainsley, Alessandro, Tenor Orchestra of Classical Opera Sarah Fox, Aminta, Soprano Wolfgang Amadeus Mozart, Composer |
Author: David Vickers
The shepherd Aminta is brought to life scintillatingly by Sarah Fox: the superb cadenza at the close of ‘Aer tranquillo e di sereni’ conveys the humble dignity of the shepherd who does not yet know he is the rightful king of Sidon, and Fox’s gorgeous singing in the rondò ‘L’amerò, sarò costante’ is matched by Matthew Truscott’s tender violin obbligato and the orchestration of muted strings and pairs of flutes, cors anglais, horns and bassoons. Ailish Tynan’s shepherdess Elisa sparkles sweetly, offering flawless technique and an endearing characterisation; the duet between Tynan and Fox at the end of Act 1 is the apogee of their characters’ blissful giddiness (‘Vanne a regnar, ben mio’). Anna Devin has a touch more steel in her characterisation of the disguised princess Tamiri, which means that all three soprano parts are sung with equal accomplishment but differentiated clearly. John Mark Ainsley’s Alexander the Great dispatches florid lines masterfully; the magnanimous conqueror’s description that storms and rainfall have given way to enlightened happiness (‘Si spande al sole in faccia’) inspires the tenor to peal out his freshest singing on record for years. Benjamin Hulett’s performance as Alessandro’s beleaguered ally Agenore steals the show in the anguished C minor soliloquy ‘Sol può dir come si trova’ – a thrilling outburst of Sturm und Drang intensity that is probably Mozart’s finest creation for a tenor voice before Idomeneo.
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