Misia - Fado-Garras dos Sentidos
View record and artist detailsRecord and Artist Details
Label: Erato
Magazine Review Date: 7/1998
Media Format: CD or Download
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 3984 22731-2
Author: pvernon
Writing in the October 1931 issue of The Gramophone, Rodney Gallop defined the fado as Portuguese “urban folksong”, adding that, since no live performance was available in Britain, “only the gramophone can convey … the character and charm of the fado”. Sixty-seven years later, not only do his comments remain true, the fado itself adheres to its origins as a cathartic experience for singer and listener alike; a window upon the Portuguese soul. Traditionally, the fado has been accompanied by the Portuguese guitarra, a 12-string instrument not dissimilar to a large mandolin, and the viola, the lusophone term for a six-string acoustic Spanish guitar. The former provides melody and ornamentation, the latter a steady rhythm that furnishes the framework upon which the singer may more freely improvise.
Misia is the new face of fado, and, while rooting her style firmly in the traditions she so clearly loves, is able to stretch its parameters without compromise. The influence of the great Amalia Rodrigues is clear, but it is just that – an influence – not a slavish adherence. Most songs are accompanied by the guitarra and viola and they are delightfully executed in the traditional manner. Others are augmented by instruments not often associated with fado – a string quartet, an accordian and a piano. Yet it works well, for the musicians are all clearly dedicated to the music, providing sympathetic support.
Misia emerges as an important voice of this delicious song-form. If you have never heard fado, this would be an excellent introduction to a fascinating and deeply satisfying genre.'
Misia is the new face of fado, and, while rooting her style firmly in the traditions she so clearly loves, is able to stretch its parameters without compromise. The influence of the great Amalia Rodrigues is clear, but it is just that – an influence – not a slavish adherence. Most songs are accompanied by the guitarra and viola and they are delightfully executed in the traditional manner. Others are augmented by instruments not often associated with fado – a string quartet, an accordian and a piano. Yet it works well, for the musicians are all clearly dedicated to the music, providing sympathetic support.
Misia emerges as an important voice of this delicious song-form. If you have never heard fado, this would be an excellent introduction to a fascinating and deeply satisfying genre.'
Misia - Fado-Garras dos Sentidos
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