Michaela Schuster: Morgen!
View record and artist detailsRecord and Artist Details
Composer or Director: (Johann Baptist Joseph) Max(imilian) Reger, Richard Strauss, Johannes Brahms, Robert Schumann
Genre:
Vocal
Label: Oehms
Magazine Review Date: 09/2015
Media Format: CD or Download
Media Runtime: 71
Mastering:
DDD
Catalogue Number: OC1833
Tracks:
Composition | Artist Credit |
---|---|
(5) Lieder, Movement: No. 1, Alte Liebe (wds. Candidus) |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(5) Lieder, Movement: No. 4, Verzagen (wds. Lemcke) |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(49) Deutsche Volkslieder, Movement: Da unten im Tale |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(4) Lieder, Movement: No. 2, Die Mainacht (wds. Hölty) |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(9) Lieder, Movement: No. 2, Nicht mehr zu dir zu gehen (wds. Daumer) |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(5) Lieder, Movement: No. 1, Ständchen (wds. Kugler) |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(5) Lieder, Movement: No. 4, Wiegenlied (wds. Scherer) |
Johannes Brahms, Composer
Johannes Brahms, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(16) Lieder, Movement: Waldseligkeit (wds. R Dehmel) |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(16) Lieder, Movement: No. 12, Totensprache (wds. Jacobowski) |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
(4) Lieder, Movement: No. 4, Der bescheidene Schäfer (wds. Weisse) |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
Es schläft ein stiller Garten |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
Schlummerlied |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano |
Myrthen, Movement: No. 1, Widmung (wds. Rückert) |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
Myrthen, Movement: No. 25, Aus den östlichen Rosen (wds. Rückert) |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
(6) Gedichte und Requiem, Movement: No. 6, Der schwere Abend |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
(6) Gedichte und Requiem, Movement: Requiem |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
Lieder und Gesänge III, Movement: No. 5, Aufträge (wds. L'Egru) |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
Lieder-Album für die Jugend, Movement: Schneeglöckchen (wds. Rückert) |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
Lieder und Gesänge II, Movement: No. 2, Volksliedchen (wds. Rückert) |
Robert Schumann, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Robert Schumann, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 4, Die Georgine |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 6, Die Verschwiegenen |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 7, Die Zeitlose |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 1, Ruhe, meine Seele (wds. K Henckell: orch 1948) |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 4, Morgen (wds. J H Mackay: orch 1897) |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
(5) Lieder |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
(5) Kleine Lieder, Movement: No. 3, Einerlei (wds. A von Arnim) |
Richard Strauss, Composer
Markus Schlemmer, Piano Michaela Schuster, Mezzo soprano Richard Strauss, Composer |
Author: Hugo Shirley
The programme itself is a fascinating mixture of the well and less well known, with each of the four composer-led groups covering, roughly, a trajectory from optimism to melancholy or liveliness to sleep; the Reger songs are especially well chosen and show him as very much capable of holding his head high in this exalted company. Although Schuster is excellent in the excited expressions of first love – her ‘Widmung’, for example, is urgent, her ‘Aufträge’ ardently impatient – she is perhaps at her best in the more thoughtful and fateful numbers, where Markus Schlemmer, a sensitive accompanist throughout, cleverly emphasises his piano’s lower range. Schumann’s ‘Der schwere Abend’ and ‘Requiem’ take on a powerful gravitas, as do Reger’s ‘Totensprache’ and Strauss’s ‘Ruhe, meine Seele!’. In ‘Befreit’ Schuster lacks the supreme control of, say, a Jessye Norman and needs a pause ahead of the song’s final, climactic ‘weinen’, but it is a deeply affecting performance which, like that of ‘Morgen’ itself, is suffused with just the right sense of gentle sadness.
It’s a shame that Oehms fails to provide translations to accompany the texts in the booklet, but don’t let that put you off this moving and rewarding recital.
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