MENDELSSOHN Symphony No 3 SCHUMANN Piano Concerto
View record and artist detailsRecord and Artist Details
Composer or Director: Felix Mendelssohn, Robert Schumann
Genre:
Orchestral
Label: LSO Live
Magazine Review Date: 01/2015
Media Format: Super Audio CD
Media Runtime: 79
Mastering:
DDD
Catalogue Number: LSO0765
Tracks:
Composition | Artist Credit |
---|---|
(The) Hebrides, 'Fingal's Cave' |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer John Eliot Gardiner, Conductor London Symphony Orchestra |
Concerto for Piano and Orchestra |
Robert Schumann, Composer
John Eliot Gardiner, Conductor London Symphony Orchestra Maria João Pires, Piano Robert Schumann, Composer |
Symphony No. 3, 'Scottish' |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer John Eliot Gardiner, Conductor London Symphony Orchestra |
Author: Rob Cowan
The Schumann Concerto with Maria João Pires is conceptually similar to the version she made with Claudio Abbado – chosen tempi are near identical – except that here orchestral textures are maybe just a little lighter. Gardiner makes a beeline for individual instrumental details, keeping important woodwind lines to the fore (the oboe and clarinet in the first movement) without distorting the overall effect. He treats the introduction to the Scottish Symphony most sensitively, attending carefully to relative note values while maintaining the flow, marking a subtle rallentando before the onset of the Allegro un poco agitato, though the pianissimo could have been even more marked. Taut and driven, the main movement goes well. The scherzo has a frantic touch of rush hour about it – ‘fast’ and ‘poised’ aren’t mutually exclusive concepts – and in the Adagio’s processional, Gardiner leans more heavily than most on the first note of the phrase. But the performance’s highlight comes towards the close of the sprightly finale, the wind-down before the Allegro maestoso assai, where quietly contemplative clarinets are joined by the bassoon and there’s a well-judged pause before the coda enters (and which ultimately picks up in tempo). That passage alone marks this out as a truly memorable performance.
Incidentally, the Blu ray disc includes, in addition to fine sound, crystal-clear video footage of the same concert performance (January 21, 2014, with the upper strings of the orchestra standing in the Scottish) and Pires’s sensitively played ‘encore’ – ‘Vogel als Prophet’ from Schumann’s Waldszenen. Camerawork is a little too ‘busy-busy’ for my liking (I’m far more likely to return to the purely audio hybrid SACD) but it’s great to have the option of watching it.
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.