MENDELSSOHN Songs Without Words
View record and artist detailsRecord and Artist Details
Composer or Director: Felix Mendelssohn
Genre:
Instrumental
Label: Harmonia Mundi
Magazine Review Date: 12/2014
Media Format: CD or Download
Media Runtime: 76
Mastering:
DDD
Catalogue Number: HMC90 2195
Tracks:
Composition | Artist Credit |
---|---|
(48) Songs without Words |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 6, Andante sostenuto in G minor, 'Venetian Gondola Song' (1830) |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 6, Allegretto in F sharp minor, 'Venetian Gond |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 6, Andante con moto in A flat, 'Duetto' |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 1, Andante con moto in A flat |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 3, Presto agitato in G minor |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 5, Andante in A minor, 'Venetian Gondola Song' |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 1, Andante in E flat |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 2, Allegro leggiero in F sharp minor |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 3, Andante tranquillo in B flat |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 6, Allegro non troppo in E |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 4, Andante sostenuto in D |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 1, Andante un poco agitato in E minor |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 4, Un poco agitato in G minor |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(48) Songs without Words, Movement: No. 6, Andante in C |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
Variations |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
Rondo capriccioso |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
(6) Preludes and Fugues, Movement: E minor:E |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
Variations sérieuses |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Javier Perianes, Piano |
Author: Harriet Smith
Javier Perianes surmounts this risk completely: first, in the selection itself; second, by interspersing them with some of Mendelssohn’s most brilliant piano pieces; and third, by the playing itself. There’s nothing small-scale about his conception of this music and, where need be, climaxes are bold – in the Capriccioso section of the Rondo capriccioso, for instance, which also exhibits a fantastically puckish quality, or in the tragedy-laden Fugue, whose darkness is only finally salved by a consoling and majestic turn to the major in the closing bars.
He can charm without trying to, thanks to a haloed sound well caught by Harmonia Mundi’s engineers, bringing a subtle range of colours to such a well-known number as the ‘Venetian Gondolier Song’ (Op 62 No 5), while the second of Op 67 gains in wistfulness from the way Perianes allows the phrases to hang in the air. By comparison, Chamayou is altogether more pert, Barenboim a degree or two slower and less spontaneous-sounding. And the Spaniard’s flexibility also makes for a very telling Variations sérieuses. Chamayou’s initial pace is a touch steadier, as if to emphasis the ‘seriousness’, but Perianes reveals that element as the piece progresses: you’re very aware of how much Mendelssohn learnt from Beethoven – appropriately enough as this was originally intended as part of an album to raise money for a statue of Beethoven in Bonn. There’s great clarity to Perianes’s fugal textures and the work’s fleeting moods are masterfully handled. While I wouldn’t be without Perahia’s ineffable performances of this repertoire, this new CD deserves a place alongside it.
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