Even more than I expected, this budget-price CD brings out what a supreme Mendelssohnian Peter Maag is. Many years ago he recorded for Decca a much praised LP version of the Scottish Symphony, and it is sad that since then he has recorded far too little of this composer. In many ways this is the performance of the Italian Symphony that I have been dreaming of for years. The Allegro vivace of the first movement is more relaxed than in any current rival version I know, only fractionally slower than most but that much allowing rushing triplets to be given a rhythmic spring with passagework shaped pointfully. With fine ensemble from the Berne orchestra—let down very occasionally in the string section—the energy and forward thrust are more compelling conveyed than through today's usual taut manner. If this movement is about Italian sunshine, Maag lets you bask in it, instead of making it scorch you, as too many conductors do. Even more than usual I welcome his observance of the important exposition repeat with its long lead-back section. The other movements too are beautifully paced to allow the rythmic point and clear texturing, Mendelssohn's orchestral mastery regularly makes you gasp afresh, with the full, warmly atmospheric recorded sound an added help. The final Saltarello bites hard but not viciously, again beautifully sprung.
The Hebrides receives a spacious reading with measured speed carrying you along persuasively, and the two rare overtures are a delight too, particularly Son and stranger which in Maag's hands conveys radiant happiness, as Mendelssohn's music so uniquely can. Though the coupling of three overtures may be less enticing than another complete symphony, the disc provides generous measure with well over an hour of music. It makes an outstanding bargain, such as we would all like to see more of in the CD catalogue.'