In Search of Lost Beauty … has its basis in experiences at and around Notre-Dame Cathedral, the accrued memories and sensations resulting in the 10 continuous sections of her 70 minute work. Scored for piano trio with a backdrop of live electronics (similar in its presence to that of the ‘soundtrack’ often favoured by Michel van der Aa), the result is clearly intended as an immersive experience in its intricate layering of detail made subordinate to density of texture as this constantly changes across the whole. The original presentation featured synchronised video projections; but, while these were no doubt pertinent, their absence arguably enhances the music’s potency by drawing the listener into its ambit. Two of the sections were written and first heard separately but listening to them in this way makes clear just how Martinaitytė’s imagination is most acute when focused on an extended timespan and broader aural canvas.

It helps that the playing of FortVio is so attuned to this music’s many timbral shades, and to its long-term tension and release, in sound that lacks nothing in natural ambience without undue resonance. Ingram Marshall’s enthusiastic commendation is no mere hyperbole, as those who take the time to experience this singular music will surely concur. A cordial recommendation for what is one of the most significant releases thus far from the enterprising Starkland label.