MAHLER Symphony No 5 (Vänskä)
View record and artist detailsRecord and Artist Details
Composer or Director: Gustav Mahler
Genre:
Orchestral
Label: BIS
Magazine Review Date: 08/2017
Media Format: Super Audio CD
Media Runtime: 75
Mastering:
DDD
Catalogue Number: BIS2226
Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 5 |
Gustav Mahler, Composer
Gustav Mahler, Composer Minnesota Orchestra Osmo Vänskä, Conductor |
Author: David Gutman
The Fifth Symphony launches the series more successfully than listeners with memories of the same team’s 2006 BBC Proms performance might have expected. The orchestral playing is crisper, the conductor’s clinical tendencies tempered by an understanding that emotional extremism is an essential part of Mahler’s idiom even if it need not be indulged. Determined to avoid histrionics, Vänskä often gives the music as much space and focus as Leonard Bernstein. Only the central Scherzo is markedly swifter towards the close, including some driven passages which do not sound entirely natural. The biggest surprise will be the old-school tempo for the Adagietto. It is the American conductor who moves the music forwards more and to predictably emotive effect, albeit with a less obsessive interest in ethereally hushed dynamics. The delicate, contained, determinedly ‘classical’ rondo finale may be the most controversial part of the Minnesota rethink. It would be unfair to condemn it for gathering insufficient power and momentum when the chorale’s climactic reappearance, purged of bluster, becomes just one incident in a rewarding if slightly subdued sequence of generic transformations.
While some will prefer to look elsewhere for the customary Mahlerian blend of anguish, heft and geniality, there’s more going on here than a thoughtful seating plan and state-of-the-art production. I just can’t predict whether the angular snap of those familiar opening tattoos will strike you as resilient or merely rigid!
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