Magnificat and Nunc Dimittis, Volume 11
View record and artist detailsRecord and Artist Details
Composer or Director: Bernard (William George) Rose, William Byrd, Stuart Beer, Heathcote D(icken) Statham, John Wood, Charles Wood, George John Bennett, E(rnest) J(ohn) Moeran, (Charles) Edmund Rubbra
Label: Priory
Magazine Review Date: 1/1997
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: PRC554
Tracks:
Composition | Artist Credit |
---|---|
Evening Service |
Heathcote D(icken) Statham, Composer
Heathcote D(icken) Statham, Composer Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir |
Fauxbourdons Service |
William Byrd, Composer
Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir William Byrd, Composer |
Magnificat and Nunc Dimittis |
(Charles) Edmund Rubbra, Composer
(Charles) Edmund Rubbra, Composer Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir |
First Evening Service |
Stuart Beer, Composer
Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir Stuart Beer, Composer |
Composer or Director: Bernard (William George) Rose, William Byrd, Stuart Beer, Heathcote D(icken) Statham, John Wood, Charles Wood, George John Bennett, E(rnest) J(ohn) Moeran, (Charles) Edmund Rubbra
Label: Priory
Magazine Review Date: 1/1997
Media Format: CD or Download
Media Runtime: 58
Mastering:
DDD
Catalogue Number: PRCD554
Tracks:
Composition | Artist Credit |
---|---|
Evening Service |
Heathcote D(icken) Statham, Composer
Heathcote D(icken) Statham, Composer Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir |
Fauxbourdons Service |
William Byrd, Composer
Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir William Byrd, Composer |
Magnificat and Nunc Dimittis |
(Charles) Edmund Rubbra, Composer
(Charles) Edmund Rubbra, Composer Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir |
First Evening Service |
Stuart Beer, Composer
Mervyn Cousins, Conductor Scott Farrell, Organ St Edmundsbury Cathedral Choir Stuart Beer, Composer |
Composer or Director: Charles Wood, Thomas Weelkes, William (Henry) Harris, Thomas Tallis, John (Nicholson) Ireland, Thomas Tomkins, Edgar Day, George Dyson, John Amner
Label: Priory
Magazine Review Date: 1/1997
Media Format: CD or Download
Media Runtime: 63
Mastering:
DDD
Catalogue Number: PRCD555
Tracks:
Composition | Artist Credit |
---|---|
Evening Service |
Charles Wood, Composer
Charles Wood, Composer Kerry Beaumont, Conductor Ripon Cathedral Choir |
Second Service, 'Cesar's Service', Movement: Magnificat |
John Amner, Composer
John Amner, Composer Kerry Beaumont, Conductor Ripon Cathedral Choir Robert Marsh, Organ |
Second Service, 'Cesar's Service', Movement: Nunc dimittis |
John Amner, Composer
John Amner, Composer Kerry Beaumont, Conductor Ripon Cathedral Choir Robert Marsh, Organ |
Short Service 'Dorian Service', Movement: Magnificat |
Thomas Tallis, Composer
Kerry Beaumont, Conductor Ripon Cathedral Choir Thomas Tallis, Composer |
Short Service 'Dorian Service', Movement: Nunc dimittis |
Thomas Tallis, Composer
Kerry Beaumont, Conductor Ripon Cathedral Choir Thomas Tallis, Composer |
Third Service (Great Service), Movement: Magnificat |
Thomas Tomkins, Composer
Kerry Beaumont, Conductor Ripon Cathedral Choir Thomas Tomkins, Composer |
Third Service (Great Service), Movement: Nunc dimittis |
Thomas Tomkins, Composer
Kerry Beaumont, Conductor Ripon Cathedral Choir Thomas Tomkins, Composer |
Service for Five Voices, Movement: Magnificat |
Thomas Weelkes, Composer
Kerry Beaumont, Conductor Ripon Cathedral Choir Thomas Weelkes, Composer |
Service for Five Voices, Movement: Nunc dimittis |
Thomas Weelkes, Composer
Kerry Beaumont, Conductor Ripon Cathedral Choir Thomas Weelkes, Composer |
Author:
The Ripon choir commit themselves valiantly to a sequence of early settings, less spectacular and more unsparing in their exposure of the voices. Tomkins and Weelkes are relatively elaborate, as wearing their festal robes, with Tallis and Amner in plainer everyday garb. For the rest it is good to have Charles Wood and William Harris, experts in the tradition, while leaving no doubt that Dyson in D fully deserves its extra measure of popularity.
The standard of performance is fine. Both choirs produce good full-bodied sound, Ripon showing the greater subtlety, St Edmundsbury more opulence of tone. Recorded sound is very satisfying in its presentation of both choirs (none of the remoteness that characterizes so many choral records). Both have useful booklets, but in Vol. 11 we need more dates (of composers and compositions) and Vol. 12 fails to bring its order into line with the programme as performed. One other cause for remark: in (as far as I know) all the records in this series the accompaniments are played by the assistant organists, who invariably do admirable work, the present two being sufficiently distinguished to draw a little extra attention.'
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