Magdalena Kožená: Soirée
View record and artist detailsRecord and Artist Details
Composer or Director: Johannes Brahms, Richard Strauss, (Amedée-)Ernest Chausson, Antonín Dvořák, Igor Stravinsky, Maurice Ravel, Leoš Janáček
Genre:
Vocal
Label: Pentatone
Magazine Review Date: AW2019
Media Format: Super Audio CD
Media Runtime: 73
Mastering:
DDD
Catalogue Number: PTC5186 671
Tracks:
Composition | Artist Credit |
---|---|
2 Songs for Alto, Viola and Piano |
Johannes Brahms, Composer
Andrew Marriner David Adorján Johannes Brahms, Composer Kaspar Sehnder Magdalena Kozená, Mezzo soprano Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
Ophelia Lieder |
Johannes Brahms, Composer
Andrew Marriner David Adorján Johannes Brahms, Composer Magdalena Kozená, Mezzo soprano Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
Chanson perpétuelle |
(Amedée-)Ernest Chausson, Composer
(Amedée-)Ernest Chausson, Composer Andrew Marriner David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
(7) Gipsy Melodies, 'Zigeunerlieder', Movement: No. 1, My song of love |
Antonín Dvořák, Composer
Andrew Marriner Antonín Dvořák, Composer David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Wolfram Brandl Yulia Deyneka |
(7) Gipsy Melodies, 'Zigeunerlieder', Movement: No. 6, Wide the sleeves |
Antonín Dvořák, Composer
Andrew Marriner Antonín Dvořák, Composer David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Wolfram Brandl Yulia Deyneka |
Cypresses, Movement: Downcast am I |
Antonín Dvořák, Composer
Andrew Marriner Antonín Dvořák, Composer David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Wolfram Brandl Yulia Deyneka |
In Folk Tone, Movement: When a maiden was a-mowing |
Antonín Dvořák, Composer
Andrew Marriner Antonín Dvořák, Composer David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Wolfram Brandl Yulia Deyneka |
(7) Gipsy Melodies, 'Zigeunerlieder', Movement: No. 4, Songs my mother taught me |
Antonín Dvořák, Composer
Andrew Marriner Antonín Dvořák, Composer David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
Nursery Rhymes |
Leoš Janáček, Composer
Andrew Marriner David Adorján Leoš Janáček, Composer Magdalena Kozená, Mezzo soprano Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
(3) Chansons madécasses |
Maurice Ravel, Composer
Andrew Marriner David Adorján Magdalena Kozená, Mezzo soprano Maurice Ravel, Composer Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
(4) Lieder, Movement: No. 4, Morgen (wds. J H Mackay: orch 1897) |
Richard Strauss, Composer
Andrew Marriner David Adorján Magdalena Kozená, Mezzo soprano Rahel Rilling Richard Strauss, Composer Simon Rattle Wolfram Brandl |
(3) Shakespeare Songs |
Igor Stravinsky, Composer
Andrew Marriner David Adorján Igor Stravinsky, Composer Kaspar Sehnder Magdalena Kozená, Mezzo soprano Rahel Rilling Simon Rattle Wolfram Brandl Yulia Deyneka |
Author: Mark Pullinger
In her introductory programme note, KoŽená pines for the days of musical soirées, playing ‘for the sheer pleasure of it’, with alcohol freeing up the musicians. She declares, however, that the Berlin recording sessions were ‘completely teetotal’ … which is rather a shame, as the results are just a little bland. The programme is an eclectic mix of repertoire for mezzo-soprano with chamber accompaniment, ranging from Ravel to Brahms to Janáček, but the performances are so uniform as to iron out many of the essential differences between them.
There is some lovely singing from KoŽená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs, especially her Dvořák, Janáček and Martinů DG debut (8/00). But there is now a lack of bloom on top notes and her mooning manner in Chausson’s ‘Chanson perpétuelle’ is a little arch. She sings the two Brahms collections well, especially the Ophelia Songs, and is at her best in her native Czech. She seems less comfortable with the angular phrases of Ravel’s Chansons madécasses.
The chamber-group support is refined and well-behaved – the only exception being the sung choral interjections in one of Janáček’s spiky Říkadla (‘Nursery Rhymes’). Rattle’s gentle, unforced pianism doesn’t get in the way and Wolfram Brandl’s soaring violin in Strauss’s ‘Morgen!’ is beautifully judged. Of the arrangements, Aribert Reimann’s Brahms is more piquant than Duncan Ward’s slightly soporific Dvořák, although the swooning ‘Songs my mother taught me’ is one of the disc’s rare plums.
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