MacMILLAN Miserere. Strathclyde motets. O bone Jesu
A new Miserere from MacMillan in the shape of the Allegri
View record and artist detailsRecord and Artist Details
Composer or Director: James MacMillan
Genre:
Vocal
Label: Coro
Magazine Review Date: 11/2011
Media Format: CD or Download
Media Runtime: 80
Mastering:
Stereo
DDD
Catalogue Number: COR16096
Tracks:
Composition | Artist Credit |
---|---|
(The) Strathclyde Motets, Movement: In splendoribus sanctorum |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets, Movement: Data est mihi |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets, Movement: Factus est repente |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets, Movement: Videns Dominus |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets II, Movement: O Radiant Dawn |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets II, Movement: Lux aeterna |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets II, Movement: Benedicimus Deum caeli |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
(The) Strathclyde Motets, Movement: Dominus dabit benignitatem |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
O bone Jesu |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
Tenebrae Responsories |
James MacMillan, Composer
(The) Sixteen (The) Sixteen Harry Christophers, Conductor James MacMillan, Composer |
Author: Marc Rochester
The huge popularity of Allegri’s 1638 setting of the Miserere for the Sistine Chapel – which The Sixteen recorded very early on in their history – has tended to cast a shadow over subsequent settings of this text. It certainly has done so here; and while MacMillan’s seems to inhabit a very different harmonic world in its opening stages, before long it, too, falls into the Allegri sequence of simple plainchant and interpolated episodes. No celestial high Cs here but something much more chorally unified and harmonically rich – and every bit as effective. The vocal lines, shrouded in a halo of incense-laden atmosphere, are delivered with wonderful fluidity, the sense of organic growth as the verses branch out from their plainchant roots beautifully conveyed, the choral tone warm and comforting and the overall sound profoundly beautiful.
Every bit as effective but requiring considerably more virtuosity, the extracts from MacMillan’s earlier Strathclyde Motets and Tenebrae Responsories offer an opportunity to savour just what a superb choir The Sixteen are, and their especial affinity with this music heightens the impact of these powerful performances.
This disc bears testament to a rare and wonderful relationship between composer, choir and conductor. Long may it continue.
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