MACHAUT The Single Rose
View record and artist detailsRecord and Artist Details
Composer or Director: Guillaume de Machaut
Genre:
Vocal
Label: Hyperion
Magazine Review Date: 10/2019
Media Format: CD or Download
Media Runtime: 57
Mastering:
DDD
Catalogue Number: CDA68277
Tracks:
Composition | Artist Credit |
---|---|
De toutes flours |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Se ma dame m'a guerpy |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Bone pastor Guillerme/Bone pastor qui pastores |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Merci vous pri |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer |
Se d'amer me repentoie |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Je sui aussi com cils |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Se je souspir parfondement |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Certes mon oueil |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Quant je sui mis au retour |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
De tout sui si confortee |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer |
Qui es promesses de Fortune/Ha, Fortune! trop su |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Loyaute vueil tous jours |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
De triste cuer/Certes, je di/Quant vrais amans |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer |
Fons tocius/O livoris/Fera pessima |
Guillaume de Machaut, Composer
Guillaume de Machaut, Composer Orlando Consort |
Author: Edward Breen
This newest album builds around the imagery of the rose, and has a superb booklet note by Tamsyn Mahoney-Steel exploring the many connections with Le roman de la rose. The disc opens with the four-voice version of the famous ballade ‘De toutes flours’, previously recorded by The Orlando Consort 20 years ago (Archiv, 2/99), inviting a fascinating comparison. Whereas the earlier track prioritised both sonic beauty and a generous acoustic, this new recording displays more immediacy, in large part due to a greater focus on the texted tenor line and a softening of the ‘eu’ vowel in the vocalised parts. This is perhaps the most helpful summation of the present Orlando Consort sound: they bring a gently extrovert storytelling style to Machaut.
Speaking of extrovert, I particularly like the interplay of tenors in the three-voice motet ‘Bone pastor Guillerme/Bone pastor, qui pastores/Bone pastor’. It is unusual to have all three voices starting with the same words but The Orlando Consort again avoid taking this as a cue to smooth performance: keeping the tempo brisk and the words crisp, they make the most of the harmonic throb where Guillerme’s head is adorned with a mitre. Again, the results are arresting and immediate, particularly when compared to the smoother, ethereal approach of, say, Musica Nova (Aeon, A/11). Having said that, there are also moments of great intimacy, such as the rondeau ‘Merci vous pri’, an exercise in delicately imploring a lady of high birth.
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