MacCunn Orchestral & Operatic Works
View record and artist detailsRecord and Artist Details
Composer or Director: Hamish MacCunn
Genre:
Opera
Label: Hyperion
Magazine Review Date: 2/1996
Media Format: CD or Download
Media Runtime: 70
Mastering:
DDD
Catalogue Number: CDA66815
Tracks:
Composition | Artist Credit |
---|---|
(The) Land of the mountain and the flood |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Graeme Danby, Constable, Bass Hamish MacCunn, Composer Jamie MacDougall, Staunton Janice Watson, Jeanie, Soprano Lisa Milne, Effie, Soprano Martyn Brabbins, Conductor Peter Sidhom, Deans, Baritone Stephen Gadd, Dumbiedykes, Tenor |
(The) Dowie Dens o'Yarrow |
Hamish MacCunn, Composer
Alexander Fedin, Mozart Alexandre Podbolotov, Kochkarev Anatole Mishchevski, Gritzko BBC Scottish Symphony Orchestra Evgeny Nesterenko, Salieri, Baritone Hamish MacCunn, Composer Loudmila Kolmakova, Fiokla Ivanovna Martyn Brabbins, Conductor Vladimir Ribasenko, Stepan |
(The) Ship o' the Fiend |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Elsie Morison, Rose Maybud, Soprano George Baker, Sir Ruthven Murgatroyd, Baritone Hamish MacCunn, Composer Joseph Rouleau, Sir Roderick Murgatroyd, Bass Martyn Brabbins, Conductor Monica Sinclair, Dame Hannah, Soprano Owen Brannigan, Sir Despard Murgatroyd, Baritone Richard Lewis, Richard Dauntless, Tenor |
Jeanie Deans, Movement: Introduction |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Bella Jasper, Woodbird, Soprano Bella Jasper, Woodbird, Soprano Bella Jasper, Woodbird, Soprano Hamish MacCunn, Composer Herold Kraus, Mime, Tenor Herold Kraus, Mime, Tenor Herold Kraus, Mime, Tenor Ingrid Göritz, Rossweiße, Mezzo soprano Ingrid Göritz, Rossweiße, Mezzo soprano Ingrid Göritz, Rossweiße, Mezzo soprano Martyn Brabbins, Conductor Rolf Kühne, Alberich Rolf Kühne, Alberich Rolf Kühne, Alberich Scottish Opera Chorus Takao Okamura, Fafner, Bass Takao Okamura, Fafner, Bass Takao Okamura, Fafner, Bass Ursula Boese, Erda, Contralto (Female alto) Ursula Boese, Erda, Soprano Ursula Boese, Erda, Soprano |
Jeanie Deans, Movement: I love a lass that's fair to see |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Erika Schubert, Grimgerde, Mezzo soprano Erika Schubert, Grimgerde, Mezzo soprano Erika Schubert, Grimgerde, Mezzo soprano Gerald McKee, Siegfried, Tenor Gerald McKee, Siegfried, Tenor Gerald McKee, Siegfried, Tenor Hamish MacCunn, Composer Hilde Roser, Siegrune, Mezzo soprano Margit Kobeck, Schwertleite, Mezzo soprano Margit Kobeck, Schwertleite, Mezzo soprano Margit Kobeck, Schwertleite, Contralto (Female alto) Martyn Brabbins, Conductor Rolf Polke, Wanderer Rolf Polke, Wanderer Rolf Polke, Wanderer Ruth Hesse, Fricka, Soprano Ruth Hesse, Fricka, Mezzo soprano Ruth Hesse, Fricka, Soprano Scottish Opera Chorus |
Jeanie Deans, Movement: What can it be? |
Hamish MacCunn, Composer
Angelika Berger, Waltraute, Mezzo soprano Angelika Berger, Waltraute, Soprano Angelika Berger, Waltraute, Soprano Angelika Berger, Wellgunde, Soprano Angelika Berger, Wellgunde, Soprano Angelika Berger, Wellgunde, Soprano BBC Scottish Symphony Orchestra Bella Jasper, Helmwige, Soprano Bella Jasper, Helmwige, Soprano Bella Jasper, Helmwige, Soprano Hamish MacCunn, Composer Heidemaria Ferch, Gerhilde, Soprano Heidemaria Ferch, Gerhilde, Soprano Heidemaria Ferch, Gerhilde, Soprano Liselotte Becker-Egner, Ortlinde, Soprano Liselotte Becker-Egner, Ortlinde, Soprano Liselotte Becker-Egner, Ortlinde, Soprano Martyn Brabbins, Conductor Otto von Rohr, Hunding, Bass Otto von Rohr, Hunding, Bass Otto von Rohr, Hunding, Bass Scottish Opera Chorus |
Jeanie Deans, Movement: Why com'st thou thus? |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Ditha Sommer, Sieglinde, Soprano Ditha Sommer, Sieglinde, Soprano Ditha Sommer, Sieglinde, Soprano Gerald McKee, Siegmund, Tenor Gerald McKee, Siegmund, Tenor Gerald McKee, Siegmund, Tenor Hamish MacCunn, Composer Heidemaria Ferch, Freia, Soprano Heidemaria Ferch, Freia, Soprano Heidemaria Ferch, Freia, Soprano Hilde Rosner, Flosshilde, Mezzo soprano Martyn Brabbins, Conductor Nadezda Kniplová, Brünnhilde, Soprano Nadezda Kniplová, Brünnhilde, Soprano Nadezda Kniplová, Brünnhilde, Soprano Rolf Polke, Wotan Rolf Polke, Wotan Rolf Polke, Wotan Scottish Opera Chorus |
Jeanie Deans, Movement: O God, whose eyes |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Hamish MacCunn, Composer Herbert Doussant, Froh, Tenor Liselotte Becker-Egner, Woglinde, Soprano Liselotte Becker-Egner, Woglinde, Soprano Liselotte Becker-Egner, Woglinde, Soprano Magda Olivero, Fedora, Soprano Martyn Brabbins, Conductor Otto von Rohr, Fasolt, Bass Otto von Rohr, Fasolt, Bass Otto von Rohr, Fasolt, Bass Rudolf Knoll, Donner Rudolf Knoll, Donner Rudolf Knoll, Donner Scottish Opera Chorus Takao Okamura, Fafner, Bass Takao Okamura, Fafner, Bass Takao Okamura, Fafner, Bass |
Jeanie Deans, Movement: O friends, I said but now |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Eugenia Ratti, Olga, Soprano Giuseppe Giacomini, Loris, Tenor Hamish MacCunn, Composer Mario d' Anna, De Siriex, Baritone Martyn Brabbins, Conductor Pietro De Vietri, Dimitri, Mezzo soprano Scottish Opera Chorus Theo Adam, Wotan, Baritone Theo Adam, Wotan, Baritone Theo Adam, Wotan, Baritone Yvonne Minton, Fricka, Soprano Yvonne Minton, Fricka, Soprano Yvonne Minton, Fricka, Mezzo soprano |
Jeanie Deans, Movement: Nay, neighbour |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Christian Vogel, Mime, Tenor Hamish MacCunn, Composer Marita Napier, Freia, Soprano Martyn Brabbins, Conductor Ortrun Wenkel, Waltraute, Mezzo soprano Ortrun Wenkel, Waltraute, Mezzo soprano Ortrun Wenkel, Waltraute, Mezzo soprano Peter Schreier, Loge, Tenor Peter Schreier, Loge, Tenor Peter Schreier, Loge, Tenor Ruth Falcon, Third Norn, Soprano Ruth Falcon, Third Norn, Soprano Ruth Falcon, Third Norn, Soprano Scottish Opera Chorus Siegmund Nimsgern, Alberich, Baritone Siegmund Nimsgern, Alberich, Baritone Siegmund Nimsgern, Alberich, Baritone |
Jeanie Deans, Movement: O father, father, shame indeed |
Hamish MacCunn, Composer
Anne Gjevang, First Norn, Soprano Anne Gjevang, First Norn, Soprano Anne Gjevang, First Norn, Contralto (Female alto) BBC Scottish Symphony Orchestra Daphne Evangelatos, Second Norn, Mezzo soprano Hamish MacCunn, Composer Hanna Schwarz, Flosshilde, Soprano Hanna Schwarz, Flosshilde, Mezzo soprano Hanna Schwarz, Flosshilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Lucia Popp, Woglinde, Soprano Lucia Popp, Woglinde, Soprano Lucia Popp, Woglinde, Soprano Martyn Brabbins, Conductor Scottish Opera Chorus Uta Priew, Wellgunde, Soprano Uta Priew, Wellgunde, Soprano Uta Priew, Wellgunde, Soprano |
Jeanie Deans, Movement: Thou hast shamed our honest blood! |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Hamish MacCunn, Composer Hans Günter Nöcker, Gunther, Baritone Jeannine Altmeyer, Brünnhilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Martyn Brabbins, Conductor Matti Salminen, Hagen, Bass Matti Salminen, Hagen, Bass Matti Salminen, Hagen, Bass Norma Sharp, Gutrune, Soprano Norma Sharp, Gutrune, Soprano Norma Sharp, Gutrune, Soprano René Kollo, Siegfried, Tenor René Kollo, Siegfried, Tenor René Kollo, Siegfried, Tenor Scottish Opera Chorus Siegmund Nimsgern, Alberich, Baritone Siegmund Nimsgern, Alberich, Baritone Siegmund Nimsgern, Alberich, Baritone |
Jeanie Deans, Movement: Oh! would that I again |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Hamish MacCunn, Composer Martyn Brabbins, Conductor Matti Salminen, Fafner, Bass Matti Salminen, Fafner, Bass Matti Salminen, Fafner, Bass Norma Sharp, Woodbird, Soprano Norma Sharp, Woodbird, Soprano Norma Sharp, Woodbird, Soprano Ortrun Wenkel, Erda, Mezzo soprano Ortrun Wenkel, Erda, Contralto (Female alto) Ortrun Wenkel, Erda, Mezzo soprano Peter Schreier, Mime, Tenor Peter Schreier, Mime, Tenor Peter Schreier, Mime, Tenor Scottish Opera Chorus Siegmund Nimsgern, Alberich, Baritone Siegmund Nimsgern, Alberich, Baritone Siegmund Nimsgern, Alberich, Baritone Uta Priew, Rossweiße, Mezzo soprano Uta Priew, Rossweiße, Soprano Uta Priew, Rossweiße, Soprano |
Jeanie Deans, Movement: Sleep for the day is done (Effie's Cradle Song) |
Hamish MacCunn, Composer
Anne Gjevang, Schwertleite, Soprano Anne Gjevang, Schwertleite, Soprano Anne Gjevang, Schwertleite, Contralto (Female alto) BBC Scottish Symphony Orchestra Christel Borchers, Siegrune, Mezzo soprano Hamish MacCunn, Composer Kathleen Kuhlmann, Grimgerde, Mezzo soprano Martyn Brabbins, Conductor René Kollo, Siegfried, Tenor René Kollo, Siegfried, Tenor René Kollo, Siegfried, Tenor Scottish Opera Chorus Theo Adam, Wanderer, Baritone Theo Adam, Wanderer, Baritone Theo Adam, Wanderer, Baritone Yvonne Minton, Fricka, Mezzo soprano Yvonne Minton, Fricka, Soprano Yvonne Minton, Fricka, Soprano |
Jeanie Deans, Movement: O Effie, darling, love! |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Cheryl Studer, Ortlinde, Soprano Eva-Maria Bundschuh, Gerhilde, Soprano Hamish MacCunn, Composer Kurt Moll, Hunding, Bass Martyn Brabbins, Conductor Ortrun Wenkel, Waltraute, Mezzo soprano Ortrun Wenkel, Waltraute, Mezzo soprano Ortrun Wenkel, Waltraute, Mezzo soprano Ruth Falcon, Helmwige, Soprano Ruth Falcon, Helmwige, Soprano Ruth Falcon, Helmwige, Soprano Scottish Opera Chorus Uta Priew, Wellgunde, Soprano Uta Priew, Wellgunde, Soprano Uta Priew, Wellgunde, Soprano |
Jeanie Deans, Movement: That shout! the people have their victim safe |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Eberhard Büchner, Froh, Tenor Hamish MacCunn, Composer Hanna Schwarz, Flosshilde, Soprano Hanna Schwarz, Flosshilde, Mezzo soprano Hanna Schwarz, Flosshilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Jeannine Altmeyer, Brünnhilde, Soprano Jessye Norman, Sieglinde, Soprano Martyn Brabbins, Conductor Scottish Opera Chorus Siegfried Jerusalem, Siegmund, Tenor Theo Adam, Wotan, Baritone Theo Adam, Wotan, Baritone Theo Adam, Wotan, Baritone |
(The) Lay of the Last Minstrel, Movement: Breathes there the man |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Cornelius Opthof, Filippo, Baritone Hamish MacCunn, Composer Joan Sutherland, Beatrice, Soprano Joseph Ward, Anichino, Tenor Joseph Ward, Rizzardo, Tenor Joseph Ward, Rizzardo, Tenor Joseph Ward, Rizzardo, Tenor Joseph Ward, Anichino, Tenor Joseph Ward, Anichino, Tenor Josephine Veasey, Agnese, Mezzo soprano Luciano Pavarotti, Orombello, Tenor Martyn Brabbins, Conductor Scottish Opera Chorus |
(The) Lay of the Last Minstrel, Movement: O Caledonia! stern and wild |
Hamish MacCunn, Composer
BBC Scottish Symphony Orchestra Edita Gruberová, Mme Herz, Soprano Hamish MacCunn, Composer Hilde Gueden, Rosalinde, Soprano Kiri Te Kanawa, Mlle Silberklang, Soprano Manfred Jungwirth, Puf (Buff), Bass Martyn Brabbins, Conductor Scottish Opera Chorus Uwe Heilmann, Vogelsang, Tenor Wilma Lipp, Adele, Soprano |
Author:
“Another hugely enjoyable Hyperion rescue-act” was AA’s initial term of welcome for the previous disc in the Scottish Romantics series (5/95), devoted to compositions by Sir Alexander Mackenzie. It will serve for the Hamish MacCunn issue too. MacCunn (1868-1916) was 21 years Mackenzie’s junior, and died (of throat cancer, and with his son fighting in France) 19 years before his fellow Scot, in whose autobiography he goes unmentioned. He was in the first generation of students at the RCM, from which he promptly withdrew, not liking it there. His studies nevertheless equipped him to write a highly successful concert overture (The Land of the mountain and the flood) at the age of 18, and to pursue a vigorous career as composer and conductor, in which capacity he took the Carl Rosa opera company through the first performances in English of Siegfried and Tristan und Isolde. His opera Jeanie Deans, an adaptation of Scott’s The Heart of Midlothian, was acclaimed at its premiere in 1894 and held its place in the repertoire till around 1920: “arguably the finest serious opera in the late Victorian period”, according to Nigel Burton in The New Grove Dictionary of Opera, a claim which sheds a little of its lustre as one enquires into the competition.
The opera is represented here in extracts that are just about impressive enough to encourage a hearing of the whole. Effie’s lullaby is a touchingly beautiful song, and the duet with Staunton, sung while the Porteous Riots are in progress off-stage, has genuine dramatic tension and pathos. The three concert overtures which introduce the programme command admiration for their effective scoring and some warmer response to the surge of melody charged with a strong rhythmic impulse. Shaw’s remark that “any ardent young musician can pick up these tricks of being solemn on the trombone, pastoral on the oboe and martial on the side-drum” has some truth in it, as does his judgement ofThe Dowie Dens o’ Yarrow as “a foredestined failure, since it is impossible to tell a story in sonata form because the end of the story is not a recapitulation of the beginning and the end of a movement in sonata form is”. It may not be the final judgement even so. The performances here are keen and incisive, as is the recorded sound. In Jeanie Deans the soloists do well enough for this kind of sampler, which on the whole prompts interest rather than dismissal, despite some melodrama of the stagiest kind. “Ardent” (Shaw’s adjective) is right, and there is something in this interaction between the national and the broader European culture that warms the heart.
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The opera is represented here in extracts that are just about impressive enough to encourage a hearing of the whole. Effie’s lullaby is a touchingly beautiful song, and the duet with Staunton, sung while the Porteous Riots are in progress off-stage, has genuine dramatic tension and pathos. The three concert overtures which introduce the programme command admiration for their effective scoring and some warmer response to the surge of melody charged with a strong rhythmic impulse. Shaw’s remark that “any ardent young musician can pick up these tricks of being solemn on the trombone, pastoral on the oboe and martial on the side-drum” has some truth in it, as does his judgement of
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