These were recognized as classic performances virtually from their first appearance over 20 years ago. They are characterized not only by the intense expressiveness of Richter's playing, but also by very careful balances of orchestral texture which hitherto had not been much apparent in recordings of these works. Throughout, the emphasis is on poetic insight, dramatic impact, and these interpretations have in these and other regards exerted a considerable influence. Yet even if sensitive readings of Liszt's concertos are now somewhat less rare, this in no way weakens the impression made by Richter's and Kondrashin's. A 100 points contend for the reviewer's comment, but all that need be said here is that these are among the great Liszt recordings.'