LISZT Harmonies du Soir
A magnificent contribution to the Liszt year from one of the greatest pianists
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Liszt
Label: Decca
Magazine Review Date: 08/2011
Media Format: CD or Download
Media Runtime: 58
Mastering:
Stereo
DDD
Catalogue Number: 478 2728DH
Tracks:
Composition | Artist Credit |
---|---|
(2) Concert Studies, Movement: No. 1, Waldesrauschen |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
Années de pèlerinage année 2: Italie, Movement: Sonetto 104 del Petrarca |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
(4) Valses oubliées, Movement: No 1 |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
Ballade No. 2 |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
Années de pèlerinage année 1: Suisse, Movement: Au lac de Wallenstadt |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
(19) Hungarian Rhapsodies, Movement: No. 3 in B flat |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
(6) Consolations |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
(12) Etudes d'exécution transcendante, Movement: No. 11, Harmonies du soir |
Franz Liszt, Composer
Franz Liszt, Composer Nelson Freire, Piano |
Author: Jeremy Nicholas
Freire’s selection is a judiciously varied programme of works for which he has a particular fondness – and it shows. Waldesrauschen (given here unusually without its travelling companion, Gnomenreigen) is a masterly display of tonal and dynamic grading with acute responses to all of Liszt’s explicit requests (tre corde poco e poco più agitato, for example, martellato, strepitoso), all the time leaving us with a sense of something left in reserve.
Such finesse is true of the whole recital. Again and again one marvels at the spontaneity of Freire’s playing, his ability to think in long paragraphs and bring an almost improvisatory air to proceedings (Valse oubliée, the rarely featured Hungarian Rhapsody No 3 and all six Consolations). Harmonies du soir, rousing Freire to the heights of passion, completes the disc in triumphant style. My only niggle is the rather too slow tempo for the allegro moderato section of the Ballade No 2 with the big tune that furnishes the final pages and the unaccountable cut of eight bars just afterwards – the section referred to in the notes as the inspiration for the cadenza to Grieg’s Piano Concerto. But don’t let such nit-picking stop you from buying this magnificent tribute to Liszt’s genius.
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