LISZT 15 Songs (Timothy Fallon)

Record and Artist Details

Composer or Director: Franz Liszt

Genre:

Vocal

Label: BIS

Media Format: Super Audio CD

Media Runtime: 61

Mastering:

DDD

Catalogue Number: BIS2272

BIS2272. LISZT 15 Songs (Timothy Fallon)

Tracks:

Composition Artist Credit
(3) Sonetti di Petrarca Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Angiolin dal biondo crin Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Comment, disaient-ils Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Oh! quand je dors Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Enfant, si j'étais roi Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
S'il est un charmant gazon Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Go not, happy day Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Kling leise, mein Lied Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Jugendglück Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
(3) Songs from Wilhelm Tell Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
Ihr Glocken von Marling Franz Liszt, Composer
Ammiel Bushakevitz, Piano
Franz Liszt, Composer
Timothy Fallon, Tenor
The American tenor Timothy Fallon first came to the attention of UK audiences when he won the Wigmore Hall/Kohn Foundation International Song Competition in 2013. Liszt’s first Petrarch Sonnet, ‘Pace non trovo’, formed part of his programme, and it is with a performance of the complete cycle that he opens his excellent debut album of the composer’s songs. His voice is exceptional, darkish in tone, evenly produced, capable of both ringing high notes and a superbly controlled mezza voce. It enables him to encompass both a big statement of desire at the centre of ‘Benedetto sia ’l giorno’ and the rapt sense of mystic contemplation which is the cycle’s eventual goal. His way with words is thoughtful, considerate: the catalogue of emotions – ‘temo, e spero, ed ardo’, etc – that opens ‘Pace non trovo’ is carefully if tellingly negotiated; later on, the Hugo settings ‘Comment disaient-ils’ and ‘Enfant, si j’étais roi’ gleam with understated wit and sensuality.

Wonderful though it is, however, the combination of strength, refinement and care just occasionally feels too contained. ‘Oh! quand je dors’, its final phrase astonishingly floated, is exquisite, though the song itself ultimately calls out for the grander passions of Brigitte Fassbaender with Irwin Gage (DG, 4/87). Roughly half of Fallon’s programme duplicates Matthew Polenzani’s for Hyperion’s Liszt series (1/11); and while Fallon’s emotional subtlety gives his Petrarch Sonnets marginally the greater edge, many, I suspect, will prefer the impetuous adrenalin rush of Polenzani’s Drei Lieder aus Wilhelm Tell, where Fallon, though effortless, is interpretatively more reined in. Similar comparisons extend to their respective pianists, with Ammiel Bushakevitz’s nuanced control effectively complementing Julius Drake’s more overt virtuosity and weight. Both discs are superb, however, and any choice between them is a matter of individual taste. No serious Lisztian will want to be without either.

Discover the world's largest classical music catalogue with Presto Music. 

Stream on Presto Music | Buy from Presto Music

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.