LISZT 15 Songs (Timothy Fallon)
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Liszt
Genre:
Vocal
Label: BIS
Magazine Review Date: 04/2017
Media Format: Super Audio CD
Media Runtime: 61
Mastering:
DDD
Catalogue Number: BIS2272
Tracks:
Composition | Artist Credit |
---|---|
(3) Sonetti di Petrarca |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Angiolin dal biondo crin |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Comment, disaient-ils |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Oh! quand je dors |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Enfant, si j'étais roi |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
S'il est un charmant gazon |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Go not, happy day |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Kling leise, mein Lied |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Jugendglück |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
(3) Songs from Wilhelm Tell |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Ihr Glocken von Marling |
Franz Liszt, Composer
Ammiel Bushakevitz, Piano Franz Liszt, Composer Timothy Fallon, Tenor |
Author: Tim Ashley
Wonderful though it is, however, the combination of strength, refinement and care just occasionally feels too contained. ‘Oh! quand je dors’, its final phrase astonishingly floated, is exquisite, though the song itself ultimately calls out for the grander passions of Brigitte Fassbaender with Irwin Gage (DG, 4/87). Roughly half of Fallon’s programme duplicates Matthew Polenzani’s for Hyperion’s Liszt series (1/11); and while Fallon’s emotional subtlety gives his Petrarch Sonnets marginally the greater edge, many, I suspect, will prefer the impetuous adrenalin rush of Polenzani’s Drei Lieder aus Wilhelm Tell, where Fallon, though effortless, is interpretatively more reined in. Similar comparisons extend to their respective pianists, with Ammiel Bushakevitz’s nuanced control effectively complementing Julius Drake’s more overt virtuosity and weight. Both discs are superb, however, and any choice between them is a matter of individual taste. No serious Lisztian will want to be without either.
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