Liederabend 1956
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Christoph Gluck, Franz Schubert, Robert Schumann, Johann Sebastian Bach, Alessandro Parisotti, Hugo (Filipp Jakob) Wolf
Label: Salzburg Festival Edition
Magazine Review Date: 12/1996
Media Format: CD or Download
Media Runtime: 70
Mastering:
Mono
ADD
Catalogue Number: 566084-2
Tracks:
Composition | Artist Credit |
---|---|
Anna Magdalena Notenbuch, Movement: Aria, BWV508: Bist du bei mir (? by Stölzel) |
Johann Sebastian Bach, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Johann Sebastian Bach, Composer |
Se tu m'ami |
Alessandro Parisotti, Composer
Alessandro Parisotti, Composer Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano |
Atalanta, Movement: Care selve, ombre beate |
George Frideric Handel, Composer
Elisabeth Schwarzkopf, Soprano George Frideric Handel, Composer Gerald Moore, Piano |
(La) Rencontre imprévue |
Christoph Gluck, Composer
Christoph Gluck, Composer |
(3) Lieder, Movement: No. 1, Wonne der Wehmut |
Ludwig van Beethoven, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Ludwig van Beethoven, Composer |
An Silvia |
Franz Schubert, Composer
Elisabeth Schwarzkopf, Soprano Franz Schubert, Composer Gerald Moore, Piano |
Rosamunde, Fürstin von Zypern, Movement: No. 3b, Romanze: Der Vollmond strahlt (sop) |
Franz Schubert, Composer
Elisabeth Schwarzkopf, Soprano Franz Schubert, Composer Gerald Moore, Piano |
(Die) Vögel |
Franz Schubert, Composer
Elisabeth Schwarzkopf, Soprano Franz Schubert, Composer Gerald Moore, Piano |
(Der) Einsame |
Franz Schubert, Composer
Elisabeth Schwarzkopf, Soprano Franz Schubert, Composer Gerald Moore, Piano |
Didone abbandonata |
Franz Schubert, Composer
Elisabeth Schwarzkopf, Soprano Franz Schubert, Composer Gerald Moore, Piano |
Goethe Lieder, Movement: Philine |
Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Hugo (Filipp Jakob) Wolf, Composer |
Goethe Lieder, Movement: Mignon (Kennst du das Land) |
Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Hugo (Filipp Jakob) Wolf, Composer |
Eichendorff Lieder, Movement: Die Zigeunerin |
Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Hugo (Filipp Jakob) Wolf, Composer |
Eichendorff Lieder, Movement: Nachtzauber |
Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Hugo (Filipp Jakob) Wolf, Composer |
(4) Lieder, Movement: No. 1, Ruhe, meine Seele (wds. K Henckell: orch 1948) |
Richard Strauss, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Wiegenlied (wds. Dehmel: orch 1916) |
Richard Strauss, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Richard Strauss, Composer |
(5) Kleine Lieder, Movement: No. 5, Schlechtes Wetter (wds. Heine) |
Richard Strauss, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Richard Strauss, Composer |
(4) Lieder, Movement: No. 3, Hat gesagt - bleibt's nicht dabei (Des Knaben Wunderhorn: 1898) |
Richard Strauss, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Richard Strauss, Composer |
Warnung |
Wolfgang Amadeus Mozart, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Wolfgang Amadeus Mozart, Composer |
Myrthen, Movement: No. 3, Der Nussbaum (wds. Mosen) |
Robert Schumann, Composer
Elisabeth Schwarzkopf, Soprano Gerald Moore, Piano Robert Schumann, Composer |
(Die) Schöne Müllerin, Movement: No. 7, Ungeduld |
Franz Schubert, Composer
Elisabeth Schwarzkopf, Soprano Franz Schubert, Composer Gerald Moore, Piano |
Author:
Although this Salzburg recital is new to disc, its programme is made up of typical Schwarzkopf favourites, so there is little here that the assiduous collector will not have in some performance by the singer elsewhere. In particular, EMI’s earlier two-disc live recital from New York later that year (EMI, 2/89) covers a lot of the same ground. But with Gerald Moore at his eloquent best, and with a better original recording quality, this is the one to have. Schwarzkopf herself also sounds in easier voice, shaping the opening lines of Wolf’s
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