L'enfance: Fauré, Bizet, Debussy, Ravel
Désert and Strosser at one piano for French classics
View record and artist detailsRecord and Artist Details
Composer or Director: Claude Debussy, Maurice Ravel, Gabriel Fauré, Georges Bizet
Genre:
Chamber
Label: Mirare
Magazine Review Date: 07/2013
Media Format: CD or Download
Media Runtime: 66
Mastering:
DDD
Catalogue Number: MIR190
Tracks:
Composition | Artist Credit |
---|---|
Dolly |
Gabriel Fauré, Composer
Claire Désert, Piano Emmanuel Strosser, Piano Gabriel Fauré, Composer |
Jeux d'enfants, 'Children's Games' |
Georges Bizet, Composer
Claire Désert, Piano Emmanuel Strosser, Piano Georges Bizet, Composer |
Petite suite |
Claude Debussy, Composer
Claire Désert, Piano Claude Debussy, Composer Emmanuel Strosser, Piano |
Ma mère l'oye |
Maurice Ravel, Composer
Claire Désert, Piano Emmanuel Strosser, Piano Maurice Ravel, Composer |
Author: Harriet Smith
Similarly, there’s strong characterisation in each of the 12 miniatures that make up Bizet’s Jeux d’enfants, be it the proudly galumphing hobby-horses (‘Les chevaux de bois’), the earnestly marching ‘Trompette et tambour’, what is patently a very boisterous game of leapfrog (‘Saute-mouton’) or the uproarious final ‘Le bal’ (‘The Ball’), the party sounding as if it has got rather out of hand. But equally fine are the more introverted moments, not least the loving duet between husband and wife (‘Petit mari, petite femme’), while ‘Les bulles de savon’ (‘Soap bubbles’) seems almost a forerunner of Prokofiev’s Visions fugitives in its gawky melodic contours and obsessive rhythms. Again, in Debussy’s youthful Petite suite, Désert and Strosser veer well away from undue sugariness, their ‘En bateau’ more poised than that of Pascal and Ami Rogé, who sound a little more arch in ‘Cortège’. The ‘Menuet’ on the new disc is particularly alluring.
If there are any reservations, then they involve the Ravel, which some might find a degree too cool, particularly the opening ‘Pavane’. In ‘Petit Poucet’ (‘Tom Thumb’) the tinkling interjections at the top of the keyboard around two-thirds of the way in are so subtle as to be almost inaudible, and the haughty Empress Laideronnette could perhaps let her hair down a little more, as the writing itself seems to suggest. But the remaining two pieces work well, ‘Le jardin féerique’ providing a suitably magical envoi to a scintillating disc.
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.