Kate Royal - (A) Lesson in Love

Kate Royal’s beautifully sung new album is filled with affecting music

Record and Artist Details

Composer or Director: Benjamin Britten, Traditional, Herbert Hughes, Franz Schubert, Hugo (Filipp Jakob) Wolf, Amy Marcy (Cheney) Beach, William (Elden) Bolcom, Robert Schumann, Gabriel Fauré, Claude Debussy, Maurice Ravel, Frank Bridge, (Marie) Joseph Canteloube (de Calaret), Richard Strauss, Aaron Copland, Johannes Brahms, (Marie Eugène) Henri Duparc, (Francesco) Paolo Tosti, Franz Liszt

Genre:

Vocal

Label: EMI Classics

Media Format: CD or Download

Media Runtime: 0

Mastering:

Stereo

Catalogue Number: 948536-2

Tracks:

Composition Artist Credit
(12) Cabaret Songs, Vol 1, Movement: Waitin' William (Elden) Bolcom, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
William (Elden) Bolcom, Composer
Myrthen, Movement: No. 4, Jemand (wds. Burns, trans. Gerhard) Robert Schumann, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Robert Schumann, Composer
Mörike Lieder, Movement: Erstes Liebeslied eines Mädchens Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Gretchen am Spinnrade Franz Schubert, Composer
Franz Schubert, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Rastlose Liebe Franz Schubert, Composer
Franz Schubert, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Pour un baiser (Francesco) Paolo Tosti, Composer
(Francesco) Paolo Tosti, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Chants d'Auvergne, Movement: Chut, chut (Marie) Joseph Canteloube (de Calaret), Composer
(Marie) Joseph Canteloube (de Calaret), Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Love went a-riding Frank Bridge, Composer
Frank Bridge, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Pastorale Aaron Copland, Composer
Aaron Copland, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
(3) Browning Songs, Movement: No. 2, Ah, love, but a day Amy Marcy (Cheney) Beach, Composer
Amy Marcy (Cheney) Beach, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Myrthen, Movement: No. 12, Lied der Braut aus dem Liebesfrühling II (wds. Rückert) Robert Schumann, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Robert Schumann, Composer
Myrthen, Movement: No. 11, Lied der Braut aus dem Liebesfrühling I (wds. Rückert) Robert Schumann, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Robert Schumann, Composer
Es muss ein Wunderbares sein Franz Liszt, Composer
Franz Liszt, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Apparition Claude Debussy, Composer
Claude Debussy, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Italienisches Liederbuch, 'Italian Songbook', Movement: O wär' dein Haus durchsichtig Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
(5) Mélodies populaires grecques, Movement: Chanson de la mariée Maurice Ravel, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Maurice Ravel, Composer
(La) Bonne chanson, Movement: Donc, ce sera par un clair jour d'été Gabriel Fauré, Composer
Gabriel Fauré, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
(6) Lieder, Movement: No. 6, Hochzeitlich Lied (wds. A Lindner: 1898) Richard Strauss, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Richard Strauss, Composer
Extase (Marie Eugène) Henri Duparc, Composer
(Marie Eugène) Henri Duparc, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
(5) Lieder, Movement: No. 1, Am Sonntag Morgen (wds. anon) Johannes Brahms, Composer
Johannes Brahms, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
(4) Refrainlieder, Movement: No. 3, Die Männer sind méchant Franz Schubert, Composer
Franz Schubert, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Du liebst mich nicht Franz Schubert, Composer
Franz Schubert, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Folk Song Arrangements, Movement: O waly waly Benjamin Britten, Composer
Benjamin Britten, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Italienisches Liederbuch, 'Italian Songbook', Movement: Verschling' der Abgrund Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
(12) Poems of Emily Dickinson, Movement: Heart, we will forget him Aaron Copland, Composer
Aaron Copland, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Danny Boy Traditional, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
Traditional, Composer
I will walk with my love Herbert Hughes, Composer
Herbert Hughes, Composer
Kate Royal, Soprano
Malcolm Martineau, Piano
The bliss and drawbacks of falling in love have surely inspired more songs than any other human activity. Kate Royal’s beautifully sung new album, with finely characterised piano-playing from Malcolm Martineau, ranges imaginatively across a spectrum of composers who have captured the first pangs, the heartaches and the dashed hopes that can make life such a maelstrom of emotion. The programme is weighted in favour of expectation and fulfilment, climaxing in Duparc’s sensuous “Extase”, but the spectre of infidelity then looms in “Am Sonntag Morgen” from Brahms’s Op 49, reflecting on the fickleness of men. “An ein Veilchen”, another song from the same set that considers the faithlessness of women, is not included.

The disc is entitled “A Lesson in Love”, a lesson that begins with William Bolcom’s languid, cabaret-style “Waitin’”. In the waiting game, Royal catches the bright optimism of Schumann’s “Jemand” and the folk-like girlish glee of Wolf’s “Zwischen Bergen, liebe Mutter”. As love blossoms, Wolf’s “Erstes Liebeslied eines Mädchens” finds Royal in rapturous voice; in Schubert’s “Rastlose Liebe” she embraces the anxieties and strivings of “bliss without peace” and in Copland’s “Pastorale” a comforting contentment.

When things start to go wrong, she can encompass the sadness of Schubert’s “Du liebst mich nicht”, the rage of Wolf’s “Verschling’ der Abgrund” and the resignation of Copland’s “Heart we will forget him”, but this girl is not giving up: a reprise of Bolcom’s “Waitin’” suggests that the whole cyclical experience is worth going through again.

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