Vassily Kalinnikov’s First Symphony of 1894-95 contains at least one tune to die for: beam to 1'08" in the opening Allegro moderato and marvel at the full-throated lyricism of a second subject as naggingly memorable as any in a Russian Romantic symphony. It’s no great surprise when it reappears in the finale, which is otherwise disappointingly humdrum and singularly fails to build on the achievement of the wonderfully atmospheric slow movement and splendidly boisterous Scherzo. Completed in 1897, the Second Symphony follows the same groundplan but displays a far more convincing thematic unity (the initial idea is cleverly reworked in all four movements). What’s more, its unquenchable melodic flow and skilful orchestration afford genuine delight from start to finish. Sadly, we can but wonder at what further treasures Kalinnikov might have given us: he died of tuberculosis four years later aged just 34.

I’m happy to be able to report that Kees Bakels presides over athletic, shapely and involving performances of both works. True, Svetlanov’s fiery Melodiya versions with the USSR SO may evince rather more in the way of authentically Slavic tang but there’s not a hint of routine about the Dutchman’s painstakingly prepared, bright-eyed readings; indeed, the playing of the Malaysian PO has both immaculate finish and engaging spirit to commend it. So, a thoroughly enjoyable coupling, boasting stunningly natural sound and balance. According to the booklet, the sessions within Kuala Lumpur’s Petronas Hall took place way back in December 2000: why on earth have BIS been sitting on the mastertapes for so long?