JS BACH Solo Cello Suites, BWV1007-12

Another viola player appropriates the Cello Suites with much succes

View record and artist details

Record and Artist Details

Composer or Director: Johann Sebastian Bach

Genre:

Instrumental

Label: Regent

Magazine Review Date: AW/2011

Media Format: CD or Download

Media Runtime: 152

Mastering:

Stereo
DDD

Catalogue Number: REGCD307

Tracks:

Composition	Artist Credit
Preludes and Fugues, Movement: Prelude (Fantasia) and Fugue in G minor, BWV542	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Preludes and Fugues, Movement: Prelude and Fugue in B minor, BWV544	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Preludes and Fugues, Movement: Prelude and Fugue in E minor, BWV548	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Preludes and Fugues, Movement: Prelude and Fugue in G, BWV550	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
(6) Trio Sonatas, Movement: No. 1 in E flat, BWV525	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
(6) Trio Sonatas, Movement: No. 6 in G, BWV530	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Christ lag in Todesbanden, BWV718	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Ein feste Burg ist unser Gott, BWV720	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Herzlich tut mich verlangen, BWV727	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Fantasia super Valet will ich dir geben, BWV735	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Valet will ich dir geben, BWV736	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Wir glauben all' an einen Gott, BWV740	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
(6) Concertos, Movement: No. 4 in C, BWV595 (after Johann Ernst)	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
(6) Concertos, Movement: No. 5 in D minor, BWV596 (after Vivaldi, Op. 3/11)	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Auf meinen lieben Gott, BWV744 (? by Krebs)	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Chorale Preludes, Movement: Christus, der uns selig macht, BWV747 (spurious)	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Wer nur den lieben Gott lässt walten, BWV690	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Wer nur den lieben Gott lässt walten, BWV691	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Wo soll ich fliehen hin, BWV694	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Christ lag in Todesbanden, BWV695	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: In dich hab' ich gehoffet, BWV712	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Trio	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Fugue on a theme by Legrenzi	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Fugue, 'Jig Fugue'	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ
Toccata (and Fugue)	Johann Sebastian Bach, Composer Johann Sebastian Bach, Composer Margaret Phillips, Organ

Author: Julie Anne Sadie

Bach’s Cello Suites are much favoured by viola da gambists, double-bassists, bassoonists, lutenists and guitar players as well as viola players. Lillian Fuchs was the first to revive interest in performing them on the viola shortly after the Second World War; her recording from the early 1950s offers powerful advocacy for doing so. Sixty years on, it still has much to offer.

More recently, viola players have taken a lively interest in the lesser-known instruments falling between the viola and cello, including the violoncello da spalla, played violin-wise. The Belgian period string player Sigiswald Kuijken had a “shoulder-cello” specially built to perform the Suites at pitch (Fuchs and other viola players have performed them an octave higher than notated). Kuijken’s sound may not please every ear but his eloquence and good taste offer valuable insights to viola players and cellists alike.

Helen Callus is a modern player whose approach to the Suites has been influenced, though not dominated, by period performance practices. Callus nevertheless draws heavily on the performance tradition established by Fuchs, more so than other contemporary modern players, including Tabea Zimmermann, who has so far only recorded the first two.

In this two-disc set Callus gives a richly impassioned reading. She’s at her best in the rhetorical Preludes and spirited Gigues, though some of the inner dances suffer from identity-crisis: in her businesslike versions of the Courantes one longs to hear more of the exquisite tension between melody, rhythm and harmony Bach so cleverly constructed; the graceful Sarabandes are bedevilled by slow tempi and a lack of forward motion, which obscures the underlying importance of the second beats. Reservations aside, her performance of the Sixth Suite, in G rather than D major, ranks among the highlights of the set.

JS BACH Organ Works Vol 6

Preludes and Fugues, Movement: Prelude (Fantasia) and Fugue in G minor, BWV542

Preludes and Fugues, Movement: Prelude and Fugue in B minor, BWV544

Preludes and Fugues, Movement: Prelude and Fugue in E minor, BWV548

Preludes and Fugues, Movement: Prelude and Fugue in G, BWV550

(6) Trio Sonatas, Movement: No. 1 in E flat, BWV525

(6) Trio Sonatas, Movement: No. 6 in G, BWV530

Chorale Preludes, Movement: Christ lag in Todesbanden, BWV718

Chorale Preludes, Movement: Ein feste Burg ist unser Gott, BWV720

Chorale Preludes, Movement: Herzlich tut mich verlangen, BWV727

Chorale Preludes, Movement: Fantasia super Valet will ich dir geben, BWV735

Chorale Preludes, Movement: Valet will ich dir geben, BWV736

Chorale Preludes, Movement: Wir glauben all' an einen Gott, BWV740

(6) Concertos, Movement: No. 4 in C, BWV595 (after Johann Ernst)

(6) Concertos, Movement: No. 5 in D minor, BWV596 (after Vivaldi, Op. 3/11)

Chorale Preludes, Movement: Auf meinen lieben Gott, BWV744 (? by Krebs)

Chorale Preludes, Movement: Christus, der uns selig macht, BWV747 (spurious)

Choral Preludes from the Kirnberger Collection, Movement: Wer nur den lieben Gott lässt walten, BWV690

Choral Preludes from the Kirnberger Collection, Movement: Wer nur den lieben Gott lässt walten, BWV691

Choral Preludes from the Kirnberger Collection, Movement: Wo soll ich fliehen hin, BWV694

Choral Preludes from the Kirnberger Collection, Movement: Christ lag in Todesbanden, BWV695

Choral Preludes from the Kirnberger Collection, Movement: In dich hab' ich gehoffet, BWV712

Trio

Fugue on a theme by Legrenzi

Fugue, 'Jig Fugue'

Toccata (and Fugue)

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