JS BACH Keyboard Suites BWV831, 825 & 809
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Sebastian Bach
Genre:
Instrumental
Label: Aparte
Magazine Review Date: 10/2016
Media Format: CD or Download
Media Runtime: 71
Mastering:
DDD
Catalogue Number: AP126
Tracks:
Composition | Artist Credit |
---|---|
Overture (Partita) in the French style |
Johann Sebastian Bach, Composer
Fabrizio Chiovetta, Piano Johann Sebastian Bach, Composer |
(6) Partitas, Movement: No. 1 in B flat, BWV825 |
Johann Sebastian Bach, Composer
Fabrizio Chiovetta, Piano Johann Sebastian Bach, Composer |
(6) English Suites, Movement: No. 4 in F, BWV809 |
Johann Sebastian Bach, Composer
Fabrizio Chiovetta, Piano Johann Sebastian Bach, Composer |
Author: Harriet Smith
In the same movement of the Fourth English Suite again he allows the phrases to hang in the air poetically without becoming too slow, and comes across far more naturally than Gould, who constantly tinkers with the tempo. However, I missed the blazing F major brightness of the Suite’s opening Prelude that Perahia and Gould capture so vividly. There’s no shortage of energy in the leaping Gigue, though Chiovetta sounds slightly breathless alongside Perahia, whose dance is more rhythmically grounded.
It’s in the First Partita, however, that I find Chiovetta least convincing. His ornamentation tends to be overly careful (just compare him in the Sarabande with Levit, who achieves a flexible rhetoric that is at once personal and innate). Chiovetta’s Allemande is also a little staid; this is not down to tempo since Anderszewski – at a similar pace – finds greater grace and inwardness, while Pires is striking for her combination of drive and finesse of dynamics. Chiovetta’s Gigue too seems a bit reined in compared to Anderszewski’s breakneck exuberance (but then so do most mere mortals).
The booklet features an interview with the pianist that should have been a bonus had it not been lost in translation, for I’m afraid I have no idea what ‘a skilful dialectic systematically landing on its feet’ might be.
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